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Quiz Monkey |
This page is basically about ballet. For other forms of dance, see Popular Dance.
| Ballet from which The Dying Swan comes |
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None – it's a solo |
| Train about which Nijinska choreographed a ballet in 1924 |
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Le Train Bleu |
| The Wooden Prince, The Miraculous Mandarin (pantomime ballet) |
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Béla Bartók bartok |
| Checkmates (1937), Adam Zero (1946) |
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Sir Arthur Bliss |
| Les Sylphides (see above) is set to orchestral arrangements of the piano music of |
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Frederic Chopin |
| Billy the Kid (1938), Rodeo (1942), Appalachian Spring (1944 – originally an orchestral score) |
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Aaron Copland |
| Jeux (1912) |
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Claude Debussy |
| Love the Musician (1915), The Three–Cornered Hat (1919) |
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Manuel de Falla |
| Coppelia (1870), Sylvia (1876) |
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Léo Delibes |
| Panambi (1937) |
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Alberto Ginastera |
| The Red Poppy (Moscow 1927) |
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Reygnold Gliere |
| Terpsichore (1734) |
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Handel |
| Gayaneh (1942), Spartacus (1954) |
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Aram Khachaturian |
| Ocean's Kingdom (2011 – commissioned by the New York City Ballet) |
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Paul McCartney |
| Les Biches (1923) |
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Francois Poulenc |
| Romeo and Juliet (1935) – the famous piece that later became known as Montagues and Capulets, the
main part of which is known as the Dance of the Knights, opens Suite No. 2
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Sergei Prokofiev |
| Daphnis et Chloe (1912) |
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Maurice Ravel |
| The Firebird (1910), Petrushka (1911), The Rite of Spring (1913) |
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Igor Stravinsky |
| Swan Lake (1876), Sleeping Beauty (1889), The Nutcracker (1892) |
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Tchaikovsky |
| Born in Havana, Cuba, in 1973: the first Principal Dancer at the Royal Ballet to have African heritage (joined in 1998, left in 2015) |
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Carlos Acosta |
| 'Founder choreographer' of the Royal Ballet (1956) |
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Frederick Ashton |
| Engaged in 1925 by Lilian Baylis, owner of the Old Vic and Sadler's Wells theatres, to stage dance performances; founder of the Vic–Wells Ballet (1931), which was renamed Sadler's Wells Ballet in 1939 and later (1956) became the Royal Ballet; first recipient (1953) of the Queen Elizabeth II Coronation Award (for outstanding services to the art of ballet) |
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Dame Ninette de Valois |
| Russian impresario, founder of the Ballets Russes (1909); commissioned The Firebird, Petrushka, and The Rite of Spring from Stravinsky |
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Sergei Diaghilev |
| Dancer and choreographer, 1904–83, real name (Sydney Francis) Patrick (Chippendall Healey–)Kay: co–founder (with Alicia Markova) of the London Festival Ballet, 1950, which was renamed the English National Ballet in 1989 |
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Sir Anton Dolin |
| Russian dancer, choreographed Les Sylphides, The Firebird and Petrushka (among others) for Diaghilev |
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Mikhail Fokine |
| Director of the Royal Ballet, 1970–77; died backstage at a performance of his Mayerling, at Covent Garden in 1992 |
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Kenneth MacMillan |
| Born London 1910, died in 2004: the first English dancer to be termed Prima Ballerina Assoluta; co–founder (with Anton Dolin) of the London Festival Ballet, 1950, which was renamed the English National Ballet in 1989 |
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Dame Alicia Markova |
| Soviet dancer, widely regarded as the greatest male ballet dancer of his generation: defected to the West in Paris, in 1961, while on tour with the Mariinsky ballet; Principal Dancer at the Royal Ballet, 1962–70; formed a successful and long–lasting partnership with Margot Fonteyn; played the title role in Ken Russell's 1977 film Valentino; died in Paris in 1993, aged 54, of an AIDS–related condition |
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Rudolf Nureyev |
| Russian dancer, 1881–1931: recognised as the creator of The Dying Swan (choreographed by Mikhail Fokine in 1905, to music from Saint–Saens's Carnival of the Animals); a dessert was created in her honour in Wellington, during a tour of New Zealand and Australia in the 1920s |
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Anna Pavlova |
| Born Warsaw, 1888; collaborated with Diaghilev, 1912–3; founded Britain's first ballet company in 1926 – still "one of the world's most renowned dance companies" (Wikipedia) in 2022; died in 1982 |
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Dame Marie Rambert |
© Haydn Thompson 2017–25