Quiz
Monkey |
Arts & Entertainment |
Arts |
Theatre |
Plays |
The Importance of Being Earnest |
Plays: Details |
People |
Characters and Roles |
Terms and Expressions |
Theatres (etc.) |
The Aldwych Farces |
The Whitehall Farces |
Other |
See also Playwrights.
Shaw play: takes its title from the opening words of Virgil's Aeneid (in translation!) – Latin: Arma virumque cano | Arms and the Man | |
Flanders & Swann's famous 1960s comedy revue: included the songs A Transport of Delight, A Gnu, and The Hippopotamus (Mud, Mud, Glorious Mud) | At the Drop of a Hat | |
Sequel to the above: included the songs The Gasman Cometh and Ill Wind – the latter set to an arrangement of the finale of Mozart's Horn Concerto No. 4 in E♭ Major | At the Drop of Another Hat | |
1978 play by Harold Pinter: inspired by his seven–year affair with the television presenter (later a Labour peer) Joan Bakewell | Betrayal | |
Revue that launched the careers of Peter Cooke, Dudley Moore, Jonathan Miller and Alan Bennett | Beyond the Fringe | |
Noël Coward play, first performed in 1941 and filmed in 1945: title is from the first line of Shelley's (Ode) To a Skylark | Blithe Spirit | |
First played by Margaret Rutherford, Madame Arcati is a character in | ||
David Hare's 1998 adaptation of Der Reigen (more usually known in the French translation La Ronde), for which its author Arthur Schnitzler was prosecuted for obscenity following its first performance in 1921 (he hadn't originally intended it to be performed publicly) – see Nicole Kidman | The Blue Room | |
French farce, written by Marc Camoletti: ran for seven years in the West End (1962–9?) and named by Guinness as the most–performed French play; central character is a bachelor who is engaged to three air hostesses | Boeing–Boeing | |
Harold Pinter's first major commercial success (1960): set entirely in one room, features just three characters (Aston, Mick and Davies) | The Caretaker | |
Play by Tennessee Williams: explores the interaction between Maggie Pollitt and the family of her husband Brick – including his father, "the Delta's biggest cotton–planter", known as Big Daddy – over the course of one evening on the family estate in Mississippi | Cat on a Hot Tin Roof | |
West End production (of a play by Simon Gray) that Stephen Fry walked out of in 1995 | Cell Mates | |
Farce by Brandon Thomas, first performed 21 Dec 1892 | Charley's Aunt | |
1980 play by Mark Medoff, about the relationship between a deaf student and her teacher – Trevor Eve starred as the teacher in the London production | Children of a Lesser God | |
Arthur Miller's 1953 version of the Salem witch trials of 1692–3: opens with the Reverend Samuel Paris watching over his sick 10–year–old daughter Betty; the strong–willed farmer John Proctor, and Abigail Williams, his wife's maid, are the main protagonist and antagonist | The Crucible | |
Two–part West End stage play written by Jack Thorne, based on an original new story by Thorne, J. K. Rowling, and John Tiffany; opened summer 2016; the eighth story in the 'Wizarding World universe', set mainly in the year 2021; the story begins in 2017, 19 years after the events of Harry Potter and the Deathly Hallows, and features Harry, now working at the Ministry of Magic, and his younger son Albus Severus Potter; title is Harry Potter and the ... | Cursed Child | |
1897 play by Edmond Rostand, based on the life of a 17th–century French dramatist, but greatly embellished; the title character feels himself unable to express his love for his distant cousin, the beautiful Roxane, because of his extremely large nose | Cyrano de Bergerac | |
Arthur Miller, 1949: Willy Loman is the central character (Linda is his wife, Biff and Harold – "Happy" – his sons) of | Death of a Salesman | |
Christopher Marlowe's best–known play (1593): a well–respected German scholar sells his soul to Lucifer in return for 24 years' service from the devil Mephistophilis, to teach him to perform magic | Doctor Faustus | |
Written by Ronald Harwood, based on his experiences working for the actor–manager Sir Donald Wolfit (who is not named in the play); first produced 1980; 1983 film version starred Tom Courtenay as Norman (the title character) and Albert Finney as 'sir' (the Wolfit character), both of whom were nominated for Oscars | The Dresser | |
Play (premiered 1957) by Samuel Beckett: features Hamm, who is blind and cannot stand up; Clov, his servant, who cannot sit down; Nagg and Nell, Hamm's father and mother, who have no legs and live in adjacent dustbins | Endgame | |
Peter Shaffer, 1973: about a psychiatrist (Martin Dysart) who attempts to treat a young man (Alan Strang) with a pathological fascination with horses. Daniel Radcliffe caused a sensation in 2007 by appearing nude in it on the West End stage | Equus | |
1938 play by the British dramatist Patrick Hamilton: filmed in 1940 starring Anton Walbrook and Diana Wynyard, remade in 1944 starring Charles Boyer and Ingrid Bergman; gave its name to a form of psychological manipulation that seeks to sow seeds of doubt in a targeted individual or members of a targeted group, making them question their own memory, perception, and sanity | Gas Light | |
Written in 1923 (after a night spent stranded at Mangotsfield Station, near Bristol) by Arnold Ridley, who later starred as Private Godfrey in Dad's Army; ran for two years in the West End; filmed at least three times, including a 1941 version starring Arthur Askey; preceded the fairground ride of the same name, which first opened at Blackpool Pleasure Beach in 1930 | The Ghost Train | |
Tennessee Williams's first successful play – premiered in Chicago in 1944: featuring only four characters (Amanda Wingfield, her grown–up children Tom and Laura, and Tom's friend Jim O'Connor) – Tom and Amanda are said to be based on the author and his mother | The Glass Menagerie | |
The first English tragedy: by Sackville & Norton, first performed 19 Jan 1561 | Gorboduc | |
Play by Alan Bennett, premiered in 2004: set in the fictional Cutlers' Grammar School, Sheffield | The History Boys | |
Play by Harold Brighouse, set in Salford in 1880 and first performed in New York in 1916: has been compared to Cinderella and King Lear | Hobson's Choice | |
1951 play by John Van Druten, based on Christopher Isherwood's The Berlin Stories – inspired the musical Cabaret | I am a Camera | |
A Trivial Comedy for Serious People: subtitle of (Oscar Wilde play) | The Importance of Being Earnest | |
Play by Marlow: title character is called Barabas | The Jew of Malta | |
Jimmy Porter is the central character; his wife Alison, Cliff Lewis, Helena Charles and Colonel Redfern (Alison's father) are other characters, in | Look Back in Anger | |
West End fixture: given the title suggested by Shakespeare's Hamlet as that of a 'play within the play' (which is actually called The Murder of Gonzago) | The Mousetrap | |
English title of Molière's play L'Avare – first performed in Paris in 1668, and in England in 1672 | The Miser | |
GBS play: actor/producer Arnold Daly tried and acquitted for disorderly conduct (New York, 1905) | Mrs. Warren's Profession | |
Verse drama by T. S. Eliot, first performed in 1935, about the assassination of Archbishop Thomas Becket in 1170 | Murder in the Cathedral | |
Collective title of Alan Ayckbourn's Round and Round the Garden, Living Together and Table Manners (all written in 1973 and first performed in 1974) | The Norman Conquests | |
Felix Ungar and Oscar Madison are the title characters of | The Odd Couple | |
Named after a French observation concerning an attractive posterior | Oh! Calcutta | |
Three–act play by the English dramatist Tom Taylor (first performed in 1858) that Abraham Lincoln was watching when he was assassinated | Our American Cousin | |
Noel Coward play that includes the line "Very flat, Norfolk" | Private Lives | |
Play by J. M. Barrie, first produced 1901: gave its name to a popular confectionery brand | Quality Street | |
Highly–regarded 1959 play by Lorraine Hansberry: about the lives of black Americans living under racial segregation in Chicago | A Raisin in the Sun | |
Play by Bertolt Brecht, first produced 1958: a satirical allegory of the rise of Adolf Hitler and the Nazi Party in Germany prior to World War II | The Resistible Rise of Arturo Ui | |
Play by Howard Brenton, first staged at the National Theatre in 1980: the subject of an unsuccessful prosecution for gross indecency by Mary Whitehouse in 1982 | The Romans in Britain | |
Play by Tennessee Williams: received a 30–minute ovation on its opening night, on Broadway in 1947; main characters are Blanche DuBois, Harold 'Mitch' Mitchell, Stanley Kowalski and Stella Kowalski | A Streetcar Named Desire | |
Olga, Masha and Irina Prozorov are the title characters of (play by Chekhov) | Three Sisters | |
Play by Chekhov: portrays the visit of a retired university professor, with his new, young, second wife, Yelena, to the family estate that has supported their lavish urban lifestyle | Uncle Vanya | |
Ivan Petrovich Voynitsky – the brother of the professor's first wife, who has managed the family estate in the professor's absence – is the title character of | ||
Play by Terence Rattigan, based on a real incident involving George Archer–Shee | The Winslow Boy | |
London Palladium talent show at which Ernie Wise was discovered | Youth Take a Bow |
The original Eliza Doolittle in My Fair Lady, on Broadway (1956) | Julie Andrews | ||
Artistic Director of the Stephen Joseph Theatre in the Round, Scarborough, 1972–2009; all but four of his 73 plays (to date) were premiered there | Alan Ayckbourn | ||
Rescued and rebuilt Sadlers Wells Theatre, Islington (opened 1933); established the Vic–Wells Opera Company, which became English National Opera and the Royal Ballet; managed the Old Vic from 1912 until her death in 1937 (aged 63) | Lilian Bayliss | ||
Created the role of Maggie "the Cat" Pollitt in Tennessee Williams's Cat on a Hot Tin Roof (Broadway, 1955) – later starred in Dallas | Barbara Bel Geddes | ||
Breakthrough role, on stage (Broadway, 1947) and on film (1951), was as the rough, working–class Polish–American anti–hero Stanley Kowalski, in Tennessee Williams's A Streetcar Named Desire | Marlon Brando | ||
Played Hamlet in Broadway's most commercially successful Shakespeare production, 1964. Asked by Olivier, 1962: "Make up your mind – do you want to be an actor or a household name?" Replied "Both" | Richard Burton | ||
The original Eliza Doolittle in Pygmalion (1913) – the role said to have been created for her by Shaw | Mrs. Patrick Campbell | ||
Builder of the Savoy Theatre, producer of Gilbert & Sullivan operas there; founder of an eponymous production company | Richard d'Oyly Carte | ||
Scottish singer: with three Top 20 hits behind her, made her stage debut in Willy Russell's Blood Brothers in 1982; later appeared in TV series including Band of Gold | Barbara Dickson | ||
Starred in the original London production of Barnum (1981); created the title role in Lloyd Webber's Phantom of the Opera, in the West End (1986) and on Broadway (1988); starred as the Wizard of Oz in the original West End production of the Lloyd Webber–Rice musical, for its first 12 months (2011–12) | Michael Crawford | ||
Jesus in Godspell (London stage); Che (the narrator) in the original (London) stage production of Evita | David Essex | ||
Chosen to play Maria in Andrew Lloyd Webber's production of The Sound of Music, 2006, in the reality TV programme How do you solve a problem like Maria? | Connie Fisher | ||
Replaced Olivier as Director of the National Theatre in 1973 | Peter Hall | ||
Played C. S. Lewis in the stage production of Shadowlands | Nigel Hawthorne | ||
First actor to be knighted; famous for his role in the melodrama The bells | Henry Irving | ||
Created the role of 'Big Daddy' Pollitt in Tennessee Williams's Cat on a Hot Tin Roof (Broadway, 1955); also played the role in the 1958 film | Burl Ives | ||
Famous architect (1573–1652) who designed the sets for Ben Johnson's royal masques | Inigo Jones | ||
Dublin–born founder of the Bluebell Girls | Margaret Kelly | ||
Appeared nude (briefly) in the West End and on Broadway, in 1998, in David Hare's The Blue Room – which critic Charles Spencer in the Daily Telegraph famously described as "pure theatrical Viagra" | Nicole Kidman | ||
Director of many vigorous productions at the Theatre Royal, Stratford (London), 1950–75; artistic director of Theatre Workshop, following its move there in 1953 | Joan Littlewood | ||
Set up the production company Really Useful Group, in 1977 | Andrew Lloyd Webber | ||
Shot to fame understudying Carol Haney in The pyjama game on Broadway | Shirley MacLaine | ||
West End impresario: hits include Les Misérables, The Phantom of the Opera, Mary Poppins, Oliver!, Miss Saigon, Cats; less successful productions include Moby Dick (1993) and Martin Guerre (1996 – relaunched in 1997 after a £500,000 revamp); knighted in 1996 | Cameron Mackintosh | ||
Bip (white face, dressed all in white, tall black hat with flower) | Marcel Marceau | ||
Founder of the Mermaid Theatre, London (1959) | Bernard Miles | ||
Artistic director of the RSC, 1968 – ; producer of Nicholas Nickleby and Les Miserables | Trevor Nunn | ||
First Director of the National Theatre (1963–73); the Society of West End Theatre awards were renamed in his honour in 1984 (5 years before his death) | Laurence Olivier | ||
Oscar–winning actor, played the title role in Jeffrey Bernard is unwell on stage | Peter O'Toole | ||
Played Edith Piaf on the London stage, 1993 | Elaine Paige | ||
Stage name of Joseph Pujol (1857–1945) – a French Music Hall artiste who farted tunes (the name means "fart maniac") | Le Pétomane | ||
Acted under the name of David Baron in the 1950s | Harold Pinter | ||
Antony and Cleopatra — Stratford, 1953 | Antony | Michael Redgrave | |
Cleopatra | Peggy Ashcroft | ||
Directed the original production of Look Back in Anger (1956, at the Court Theatre, London); also directed the 1958 film version, starring Richard Burton as Jimmy Porter | Tony Richardson | ||
Produced and starred in the Whitehall farces, 1950–66 | Brian Rix | ||
Director of Shakespeare's Vic, from its opening in 1995 to 2005 | Mark Rylance | ||
Tony–nominated director and star of Side by side by Sondheim (London and Broadway) | Ned Sherrin | ||
The original Mr Mistoffelees in Cats (West End, 1981) | Wayne Sleep | ||
US actor, became artistic director of London's Old Vic theatre 2004 | Kevin Spacey | ||
Russian actor and director, 1863–1938: created a method of acting using "emotional memory", which has become a byword for the technique of producing realistic characterisations | Constantin Stanislavski | ||
Won a Tony in 1948 for the role of Blanche Dubois in Tennessee Williams's play A Streetcar Named Desire, but had to wait another 42 years for an Oscar | Jessica Tandy | ||
Noted for Shakespearean roles opposite Henry Irving and correspondence with George Bernard Shaw | Dame Ellen Terry | ||
St. Joan: role created by G. B. Shaw for | Sybil Thorndike | ||
Male impersonator (1864–1952; born Matilda Alice Powles, became Lady de Frece in 1890 when she married the theatre impresario Sir Walter de Frece): scandalised Queen Mary by wearing trousers at a Royal Variety Performance in 1912 | Vesta Tilley | ||
Played King Lear from a wheelchair on Broadway, in 1956, after breaking a bone in one foot and spraining the other ankle | Orson Welles | ||
Appeared with Steve Martin in an acclaimed stage production of Waiting for Godot (late 80s) | Robin Williams | ||
First obtained recognition with American Blues | Tennessee Williams | ||
Broadway impresario – famous for a series of theatrical revues, 1907–31, inspired by the Folies Bergeres of Paris |
Florenz Ziegfeld |
The Odd Couple (on Broadway, 1965):
Felix Ungar – the neat one | Art Carney | |
Oscar Madison – the messy one | Walter Matthau | |
Replaced the above as Oscar after 8 months | Jack Klugman |
London home of the RSC, before the Barbican Centre was built | Aldwych Theatre | |
Theatre where The Mousetrap opened in 1952 (see St. Martin's) | Ambassadors | |
1959: London's first new theatre for 200 years | Mermaid | |
Lyttelton Theatre, Cottesloe Theatre, Olivier Theatre | National Theatre | |
London theatre with the same name as the element with atomic number 46 (originally, in ancient Greece and Rome, an image on which the safety of a city was said to depend) | Palladium | |
London Open Air Theatre, founded 1933 | Queen Mary's Gardens, Regent's Park | |
Theatre that The Mousetrap moved to in 1974 (from the Ambassadors) | St. Martin's | |
London theatre, built 1881 by Richard D'Oyly Carte to stage the works of Gilbert & Sullivan, which came to be named after it; first in the world to be lit by electricity | Savoy |
The Aldwych Farces were a series of twelve plays that ran at the Aldwych Theatre, in London's West End, from 1923 to 1933. They were presented by the actor–manager Tom Walls, who also starred in them along with Ralph Lynn. Nine of them were written by Ben Travers.
The first play ran for over two years (February 1923 to July 1925) and had 598 performances. The next three ran for approximately one year each, changing in mid–summer; thereafter the changes were more frequent.
Continuing in the tradition of the Aldwych Farces, the five Whitehall Farces ran at the Whitehall Theatre, in London's West End, from 1950 to 1966. They were presented by the actor–manager Brian Rix.
Other actors who appeared in the Whitehall Farces included Terry Scott, Andrew Sachs and Leo Franklyn, as well as Brian Rix's wife, Elspet Gray, and his sister, Sheila Mercier (best known today for playing Annie Sugden in Emmerdale Farm, for more than twenty years from its first episode in 1972).
The first Whitehall Farce ran for almost four years, from 12 September 1950 to 24 July 1954, and had 1610 performances. The fifth ran for less than two years and had approximately 765 performances.
© Haydn Thompson 2017–24