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This section considers Shakespeare's works as a whole, and the individual plays in that context.
Notes:
Locrine, The London Prodigal, The Puritan, Sir John Oldcastle, Thomas Lord Cromwell, and A Yorkshire Tragedy
Nobody knows for certain which play Shakespeare wrote first, but it was probably one of these seven:
Titus Andronicus | All's Well that Ends Well | The Two Gentlemen of Verona |
Love's Labours Lost | The Taming of the Shrew | Henry VI Part II |
The Comedy of Errors |
The last play that Shakespeare wrote in its entirety (probably) | The Tempest (1611) | |
The last of the 36 First Folio plays to have been written | Henry VIII (1613/4) |
Note: Henry VIII and The Two Noble Kinsmen were both written around 1613–14, in collaboration with John Fletcher. Henry VIII was included in the First Folio (1623), but The Two Noble Kinsmen was not
Possibly the most popular characters in Shakespeare – among question setters, if not audiences. In which plays did the following appear?
This section covers detailed questions about the plays themselves.
Details the tortuous (but ultimately successful) courtship of Bertram, the son of a Spanish countess, by the countess's low–born ward Helena | All's Well that Ends Well | |
Set in the forest of Arden | As You Like It | |
"All the world's a stage, and all the men and women merely players": Jaques, a cynical nobleman (one of the principal characters), in | ||
Ends with the marriage of the two principal characters, Rosalind and Orlando | ||
Features two pairs of male twins – Antipholus and his servant Dromio, both of Syracuse, and their twin brothers Antipholus and his servant Dromio, both of Ephesus – and much confusion concerning their identities | The Comedy of Errors | |
The only Shakespeare play to mention America (by that name) | ||
"We came into the world like brother and brother; And now let's go hand in hand, not one before another" is the last line of | ||
Volumnia, Virgilian and Young Martius are (respectively) the mother, wife and son of the title character, in | Coriolanus | |
Guiderius and Arviragus – both legendary and possibly historical characters – are sons of the title character in | Cymbeline | |
The courtiers Rosencrantz and Guildenstern appear in | Hamlet | |
"Neither a borrower nor a lender be", and (three lines later) "This above all: to thine own self be true": Polonius to his son Laërtes, in | ||
"For this relief much thanks; 'tis bitter cold / And I am sick at heart." Francisco, on being relieved by Bernardo at the end of his watch, in the opening scene of | ||
"The play's the thing / Wherein I'll catch the conscience of the King" | ||
Owen Glendower, who boasts that he can "call spirits from the vasty deep" appears in | Henry IV (Part 1) | |
Focuses on events immediately before and after the Battle of Agincourt | Henry V | |
Catherine and Alice converse in French in | ||
Was insulted (probably mistakenly) by a gift of tennis balls from Charles, the Dauphin of France – an actual historical incident | ||
The phrase "band of brothers" first appears in | ||
"First thing we do, let's kill all the lawyers." Dick the Butcher in | Henry VI Part 2 | |
"To gild refined gold, to paint the lily ... is wasteful and ridiculous excess" (giving rise to the phrase "to gild the lily") | King John | |
Suppressed by the British government during the reign of George III | King Lear | |
The Earl of Gloucester has his eyes gouged out, for helping the title character to escape (by the Duke of Cornwall and his wife, who is one of the title character's daughters) in | ||
"How sharper than a serpent's tooth it is to have a thankless child" (spoken by the title character) | ||
Double, double toil and trouble; / Fire burn, and caldron bubble. Fillet of a fenny snake, / In the caldron boil and bake; Eye of newt, and toe of frog, / Wool of bat, and tongue of dog, Adder's fork, and blind–worm's sting, / Lizard's leg, and howlet's wing,–– For a charm of powerful trouble, / Like a hell–broth boil and bubble Double, double toil and trouble; / Fire burn, and caldron bubble. |
Macbeth | |
"By the pricking of my thumbs / Something wicked this way comes" (providing titles for, respectively, Agatha Christie and Ray Bradbury) | ||
"Tomorrow, and tomorrow, and tomorrow ... " – soliloquy on learning of his wife's death | ||
The cat Graymalkin appears (as the familiar of the First Witch) in | ||
Mainly set in Vienna; concerns the villainous behaviour of Angelo – deputy to ... | Measure for Measure | |
... Vincentio, the Duke of Vienna, who also appears disguised as Friar Lodowick | ||
The novice nun Isabella pleads with Angelo for mercy, on behalf of her brother Claudio (who's been found guilty of sleeping with a woman out of wedlock); he agrees, on condition that she surrenders her virginity to him (she refuses, obviously) | ||
Mistress Overdone (a brothel–keeper), Pompey Bum (her pimp), Elbow (a simple constable) and Froth ("a foolish gentleman") appear in | ||
Lancelot Gobbo and Old Gobbo appear in | The Merchant of Venice | |
Portia's suitors made to choose between three caskets (according to a condition of her father's will) | ||
"All that glisters is not gold / Often have you heard that told" | ||
"The quality of mercy is not strained" | ||
Sir John Falstaff, his followers Bardolph, Pistol and Nym, Sir Hugh Evans (a Welsh parson) and Doctor Caius (a French physician) appear in | The Merry Wives of Windsor | |
Written, according to tradition, at the request of Queen Elizabeth I | ||
Set in "Athens, and a wood near it" | A Midsummer Night's Dream | |
Features three separate plots, tied together by the marriage of Theseus (Duke of Athens) and Hippolyta (Queen of the Amazons) | ||
Peaseblossom, Cobweb, Moth and Mustard Seed are fairies in | ||
Features a troupe of actors known as the Mechanicals, whose members include: Peter Quince, a carpenter; Nick Bottom, a weaver; Francis Flute, a bellows–mender; Robin Starveling, a tailor; Tom Snout, a tinker; Snug, a joiner | ||
"the course of true love never did run smooth" | ||
Set in Messina, a city on the island of Sicily; centres on two romances, both featuring soldiers in the ranks of Don Pedro, Prince of Aragon. One involves Claudio and Hero, daughter of Leonato, Governor of the city; the other involves Benedick and Hero's cousin Beatrice (a 'protofeminist'). Ends in the marriage of Beatrice and Benedick | Much Ado about Nothing | |
Dogberry, the "self-satisfied night constable" with an inflated view of his own importance | ||
Subtitled The Moor of Venice | Othello | |
"the green–eyed monster" is a description of jealousy, from | ||
"That which we call a rose, by any other name would smell as sweet" | Romeo & Juliet | |
Only Shakespeare play with an animal in the title | Taming of the Shrew | |
Begins with an "induction", in which a mischievous nobleman tricks a drunken tinker named Christopher Sly into thinking that the play is for his benefit | ||
Gremio (one of Bianca's suitors), Grumio (Petruchio's servant) and "A Pedant" appear in | ||
Ferdinand and Miranda are young lovers in | The Tempest | |
The spirit Ariel appears in | ||
The song that begins "Where the bee sucks, there suck I" appears (sung by Ariel) in | ||
"O brave new world, That has such people in't" (spoken by Miranda) | ||
Subtitled What You Will | Twelfth Night | |
"If music be the food of love, play on". First line of | ||
Set in Illyria (which is actually an ancient term for part of the Balkan peninsula, to the north of the Adriatic Sea) | ||
Malvolio, Sir Toby Belch and Sir Andrew Aguecheek appear in | ||
Twins Viola and Sebastian are shipwrecked together in | ||
Shakespeare calls for a dog in | The Two Gentlemen of Verona | |
Who is Sylvia, what is she? is a song by Schubert, set to a serenade from | ||
Silvia (daughter of the Duke of Milan) and Julia are beloved by the respective title characters, in | ||
Polixenes, King of Bohemia, and his son Florizel, are characters in | The Winter's Tale | |
Leontes and Hermione, King and Queen of Sicily, and their daughter Perdita (who lives as a shepherd girl in Bohemia, unaware of her royal lineage) are characters in | ||
A statue comes to life at the end of | ||
Includes the stage direction "Exit pursued by a bear" | ||
Set in the kingdoms of Sicily and Bohemia | ||
The Delphic Oracle is called upon to bear witness to the fidelity of the Queen of Sicily, in |
© Haydn Thompson 2017–23