Quiz Monkey |
This page is basically about ballet. For other forms of dance, see Popular Dance.
Ballet from which The Dying Swan comes | None – it's a solo |
Train about which Nijinska choreographed a ballet in 1924 | Le Train Bleu |
The Wooden Prince, The Miraculous Mandarin (pantomime ballet) | Bela Bartok | |
Checkmates (1937), Adam Zero (1946) | Sir Arthur Bliss | |
Les Sylphides (see above) is set to orchestral arrangements of the piano music of | Frederic Chopin | |
Billy the Kid (1938), Rodeo (1942), Appalachian Spring (1944 – originally an orchestral score) | Aaron Copland | |
Jeux (1912) | Claude Debussy | |
Love the Musician (1915), The Three–Cornered Hat (1919) | Manuel de Falla | |
Coppelia (1870), Sylvia (1876) | Léo Delibes | |
Panambi (1937) | Alberto Ginastera | |
The Red Poppy (Moscow 1927) | Reygnold Gliere | |
Terpsichore (1734) | Handel | |
Gayaneh (1942), Spartacus (1954) | Aram Khachaturian | |
Ocean's Kingdom (2011 – commissioned by the New York City Ballet) | Paul McCartney | |
Les Biches (1923) | Francois Poulenc | |
Romeo and Juliet (1935) – the famous piece that later became known as Montagues and Capulets, the main part of which is known as the Dance of the Knights, opens Suite No. 2 | Sergei Prokofiev | |
Daphnis et Chloe (1912) | Maurice Ravel | |
The Firebird (1910), Petrushka (1911), The Rite of Spring (1913) | Igor Stravinsky | |
Swan Lake (1876), Sleeping Beauty (1889), The Nutcracker (1892) | Tchaikovsky |
Born in Havana, Cuba, in 1973: the first Principal Dancer at the Royal Ballet to have African heritage (joined in 1998, left in 2015) | Carlos Acosta | |
'Founder choreographer' of the Royal Ballet (1956) | Frederick Ashton | |
Engaged in 1925 by Lilian Baylis, owner of the Old Vic and Sadler's Wells theatres, to stage dance performances; founder of the Vic–Wells Ballet (1931), which was renamed Sadler's Wells Ballet in 1939 and later (1956) became the Royal Ballet; first recipient (1953) of the Queen Elizabeth II Coronation Award (for outstanding services to the art of ballet) | Dame Ninette de Valois | |
Russian impresario, founder of the Ballets Russes (1909); commissioned The Firebird, Petrushka, and The Rite of Spring from Stravinsky | Sergei Diaghilev | |
Dancer and choreographer, 1904–83, real name (Sydney Francis) Patrick (Chippendall Healey–)Kay: co–founder (with Alicia Markova) of the London Festival Ballet, 1950, which was renamed the English National Ballet in 1989 | Sir Anton Dolin | |
Russian dancer, choreographed Les Sylphides, The Firebird and Petrushka (among others) for Diaghilev | Mikhail Fokine | |
Director of the Royal Ballet, 1970–77; died backstage at a performance of his Mayerling, at Covent Garden in 1992 | Kenneth MacMillan | |
Born London 1910, died in 2004: the first English dancer to be termed Prima Ballerina Assoluta; co–founder (with Anton Dolin) of the London Festival Ballet, 1950, which was renamed the English National Ballet in 1989 | Dame Alicia Markova | |
Soviet dancer, widely regarded as the greatest male ballet dancer of his generation: defected to the West in Paris, in 1961, while on tour with the Mariinsky ballet; Principal Dancer at the Royal Ballet, 1962–70; formed a successful and long–lasting partnership with Margot Fonteyn; played the title role in Ken Russell's 1977 film Valentino; died in Paris in 1993, aged 54, of an AIDS–related condition | Rudolf Nureyev | |
Russian dancer, 1881–1931: recognised as the creator of The Dying Swan (choreographed by Mikhail Fokine in 1905, to music from Saint–Saens's Carnival of the Animals); a dessert was created in her honour in Wellington, during a tour of New Zealand and Australia in the 1920s | Anna Pavlova | |
Born Warsaw, 1888; collaborated with Diaghilev, 1912–3; founded Britain's first ballet company in 1926 – still "one of the world's most renowned dance companies" (Wikipedia) in 2022; died in 1982 | Dame Marie Rambert |
© Haydn Thompson 2017–22