Quiz Monkey |
Arts & Entertainment |
Music |
Classical Music |
General |
Beethoven |
Haydn |
Holst |
Mahler |
Mendelssohn |
Mozart |
Prokofiev |
Schubert |
Shostakovich |
Tchaikovsky |
Vaughan Williams |
This page is about classical compositions where the question is something other than "Who composed ... ?"
Written by Tchaikovsky in 1882 to commemorate the successful Russian defence against Napoleon's invading Grande Armée, and in particular the Battle of Borodino; includes an extract from the French national anthem (La Marseillaise) and also the Russian anthem of Tchaikovsky's day (see also Marche Slave). Famous for its climactic volley of cannon fire and bell chimes | 1812 Overture | |
Popular name for (the tune from) the 2nd movement of Bach's Suite no. 3 in D | Air on the G string | |
Opening motif used by the BBC during World War II, to suggest the Morse code for V (for Victory) | Beethoven's 5th symphony | |
One–act opera by Pietro Mascagni, often performed (and recorded) alongside Leoncavallo's Pagliacci | Cavalleria Rusticana | |
Classical guitar piece, written in 1970 by the British composer Stanley Myers; made famous when used as the theme tune to the 1978 film The Deer Hunter | Cavatina | |
Childish waltz, variations for 3 hands written by Rimsky–Korsakov et al before 1880 | Chopsticks | |
Mozart's last opera (but completed before The Magic Flute) | La Clemenza di Tito | |
Haydn oratorio, considered by many to be his masterpiece: set to texts taken from the book of Genesis, the Psalms and Milton's Paradise Lost | The Creation | |
Mozart's string quartet in C major, K465 | Dissonance | |
Elgar's oratorio depicting the passage of a dying man's soul to a glimpse of heaven; based on a poem by Cardinal Newman | The Dream of Gerontius | |
Not featured in Holst's Planets suite (of the eight major planets) | Earth | |
The sea that inspired Debussy's "three symphonic sketches for orchestra", La Mer (it was composed in Eastbourne) | English Channel | |
Elgar's 14 Variations on an Original Theme, op. 36; dedicated "to my friends, pictured within" | Enigma Variations | |
Beethoven's Piano Concerto no. 5 in E flat major, op. 73 | Emperor | |
Beethoven's only opera | Fidelio | |
The first four of the twelve violin concertos comprising Vivaldi's Op. 8 (1725) | The Four Seasons | |
Popular name for Dvorak's Symphony No. 9 (an extract, arranged for brass, was used in the famous 1973 Hovis advert) | From the New World | |
Chopin: Sonata no. 2 in B Flat minor, op. 35 | Funeral March | |
Handel's Water Music was commissioned by | King George I (1717) | |
Handel wrote his four Coronation Anthems – including Zadok the Priest – for the coronation of | King George II (1747) | |
Handel's Music for the Royal Fireworks was commissioned (to celebrate the ending of the War of the Austrian Succession by the Treaty of Aix–la–Chappelle) by | King George II (1749) | |
Popularly believed to have started the custom of standing for the Hallelujah Chorus (part of Handel's Messiah) at the London premiere, in 1743 | King George II | |
Annual music festival, founded in 1934 by John Christie: held at (and named after) his country house near Lewes, East Sussex | Glyndebourne | |
Barcarolle: originally sung by a | Gondolier | |
Solo instrument in Rodrigo's Concerto d'Aranjuez | Guitar | |
Name given to a Mozart serenade (K250, 1776) and the 35th symphony (K385, 1782) | Haffner | |
Britain's oldest orchestra | Halle | |
Work by Mendelssohn, inspired by a visit to the Scottish island of Staffa and alternatively known as Fingal's Cave after one of the island's most famous features | Hebrides Overture | |
Nickname shared by Mozart's String Quartet No. 17 in Bb, K458, and Beethoven's Piano Sonata No. 18 in Eb, Op. 31 No. 3 | The Hunt | |
Elgar's Cockaigne Overture: subtitle | In London Town | |
Handel oratorio, about (named after the leader of) the Jewish revolt against the Syrians in 165 BC – as celebrated at Hannukah; written in honour of the Duke of Cumberland and his victory at Culloden; includes the chorus See, the Conqu'ring Hero Comes – tune used for the hymn Thine Be the Glory | Judas Maccabaeus | |
Movement of Holst's Planets suite, used as the tune to the hymn I Vow to Thee, My Country (and subsequently for the Rugby World Cup anthem World in Union). Title of the hymn tune is Thaxted – after the Essex village where Holst lived for many years | Jupiter | |
K, in the Mozart catalogue, stands for | Köchel | |
Words by A. C. Benson, set to the trio tune from Elgar's Pomp & Circumstance March No. 1 – first appeared in the Coronation Ode, written for the coronation of Edward VII | Land of Hope and Glory | |
Shostakovich's Symphony No. 7: commemorates the Siege of (Russian city, during World War II) | Leningrad | |
Mahler's 1908 orchestral song cycle – six German versions of 8th–century Chinese poems (title means The Song of the Earth) | Das Lied von der Erde | |
1st symphony is sometimes known as 'The Titan', although the composer only used this name for early (incomplete) versions | Mahler | |
5th Symphony used in the 1971 film Death in Venice (starring Dirk Bogarde) | ||
Drama by Byron, incidental music by Schumann, on which Tchaikovsky based a symphony | Manfred | |
1876 piece by Tchaikovsky, written to commemorate an unsuccessful Serbian revolt against the Ottoman empire (in which many Russians participated). Shares many elements (including the Russian national anthem) with the 1812 Overture which was written 6 years later | Marche Slave (Slavonic March) | |
Oratorio by Handel, includes the choruses For Unto Us a Boy is Born and Hallelujah, and the aria I Know that My Redeemer Liveth; premiered at Neal's Music Hall, Fishamble Street, Dublin, 13 April 1742; proceeds donated to local charities and hospitals for the mentally ill, at the request of Jonathan Swift (Dean of St. Patrick's Cathedral) | Messiah | |
Mendelssohn's Wedding March comes from his incidental music to | A Midsummer Night's Dream | |
Chopin: Waltz in D flat major, Op. 64 No. 1 | Minute Waltz | |
Dark, atmospheric piece from Prokofiev's ballet Romeo and Juliet – a.k.a. Dance of the Knights – used as a theme tune by Sunderland AFC, the rock band Muse, the British version of the TV show The Apprentice, and the 1979 film Caligula | Montagues and Capulets | |
Dedicatee of Beethoven's 'Emperor' Concerto; also the original dedicatee of his 3rd symphony (Eroica), which was re–dedicated to the composer's patron, Prince Joseph Franz von Lobkowitz | Napoleon Bonaparte | |
Form of popular song, the name deriving from a festival that was held from the 1830s until 1950; famous examples include O Sole Mio and Funiculi, Funicula | Neapolitan song | |
British national hero, celebrated in the alternative title of Haydn's Missa in Angustiis (Hoboken XXII/11, composed in 1798) | Nelson | |
The ninth and most famous of the Enigma variations: inspired by Elgar's friend Augustus Jaeger (Jaeger being German for hunter, and the piece being named after a Biblical patriarch described as "a mighty hunter"); played at the Cenotaph on Remembrance Sunday | Nimrod | |
Song by Henry Purcell, from the 1675 play The Libertine by Thomas Shadwell: famously recorded at the Manchester Free Trade Hall in 1929, sung by the Manchester Children's Choir accompanied by the Hallé Orchestra (see also Musicals) | Nymphs and Shepherds | |
William Walton's march for the coronation of Elizabeth II | Orb and Sceptre | |
Operetta by Offenbach that features the Can Can | Orpheus in the Underworld | |
Name given to a Beethoven piano sonata and a Tchaikovsky symphony | Pathétique | |
Play by Ibsen: Grieg's incidental music includes Morning Mood, Anitra's Dance, In the Hall of the Mountain King | Peer Gynt | |
Mussorgsky's piano suite in ten movements (1874), inspired by the paintings of Viktor Hartmann; various orchestrations, the most famous one by Ravel; starts with the Promenade, variations of which reoccur at several points later in the work; ends with The Great Gate of Kiev | Pictures at an Exhibition | |
Elgar's five marches, No. 1 known as Land of Hope and Glory | Pomp and Circumstance | |
Elgar's Nursery Suite (1931): dedicated to 5–year–old | Princess Elizabeth | |
Britten's Young Person's Guide to the Orchestra (Op. 34, 1946): subtitled Variations and Fugue on a Theme of | Purcell | |
Mendelssohn's Scottish Symphony: dedicated to | Queen Victoria | |
Chopin: Prelude no. 15 in D Flat, op. 28 | Raindrop Prelude | |
Mozart's final, unfinished work (K626) | Requiem Mass | |
Popular name for the beginning of Act III of the second opera in Wagner's Ring cycle | Ride of the Valkyries | |
Ballet by Prokofiev, with choreography by Nijinsky: caused a near–riot when premiered by Diaghilev's Ballets Russes (Russian Ballet) in Paris in 1913 | The Rite of Spring | |
Nickname shared by the 4th symphonies of Anton Bruckner and (more obscurely) the Mexican composer Carlos Chávez | Romantic | |
Handel oratorio that includes the aria Let the Bright Seraphim, sung by Kiri Te Kanawa at Charles & Diana's wedding | Samson | |
The Sea and Sinbad's Ship: Part 1 of (symphonic poem by Rimsky–Korsakov) | Scheherezade | |
Ninth movement and most familiar aria from Bach's secular cantata, BWV 208 – a.k.a. the Hunting Cantata | Sheep May Safely Graze | |
13th century hymn, a meditation on the suffering of the Virgin Mary at the Cruxifixion: Latin title means "stood the mother"; set to music by various composers, most famously Palestrina, Pergolesi and the two Scarlattis (Alessandro and his son Domenico) | Stabat Mater | |
The thirteenth and penultimate movement in Saint–Saens's Carnival of the Animals – written for cello and two pianos, a staple of the cello repertoire | The Swan | |
Reveries – Passions, A Ball, Scene in the Fields, March to the Scaffold, and Dream of a Night of the Sabbath are English translations of the titles given to the five movements of | Symphonie Fantastique (Berlioz) | |
Schubert's piano quintet in A minor | The Trout | |
Benjamin Britten's work based on the poems of Wilfred Owen – commissioned for the consecration of Coventry–s new cathedral, in 1962 | War Requiem | |
Composed by Handel for a picnic on the Thames in 1717 – allegedly as a peace offering to George I | Water Music | |
Tune composed in 1793 for a clock in the University Church at Cambridge – and hence sometimes known as Cambridge Quarters; probably the most commonly used chime for striking clocks, most famously the one in what has been officially known since 2012 as the Elizabeth Tower at the Palace of Westminster (popularly known as Big Ben); said to be based on an extract from I Know That My Redeemer Liveth, from Handel's Messiah | Westminster Quarters (or Chimes) | |
Rossini overture, an extract from which was used as the theme to The Lone Ranger (also adapted for the theme song to a TV series of the same name as the overture) | William Tell | |
The opening motif of Beethoven's 5th symphony (used by the BBC to introduce news bulletins during WWII, because it echoed the Morse code for the letter V, signifying Victory) is said to have been inspired by the call of the | Yellowhammer | |
Anthem written by Handel for the coronation of George II in 1727, and used at every subsequent British coronation; the anthem of the UEFA Champions League, used since its introduction in 1992, borrows heavily from it; also used in adverts for P&O Cruises | Zadok the Priest | |
Spanish term for a light musical drama – named after a royal hunting lodge near Madrid where first performed – also the name of a type of fish stew | Zarzuela |
No. 3 | Eroica |
No. 6 | Pastoral |
No. 9 | Choral |
The famous Moonlight sonata is in the key of C–sharp minor. It was published as one of two sonatas (Nos. 13 and 14, Opus 27), each of which is described as a Sonata quasi una fantasia (sonata in the manner of a fantasia). No one is very sure why.
Symphonies Nos. 82 – 87 (commissioned by Count d'Ogny for performance by the Concert de la Loge Olympique) | Paris Symphonies | |
Last 11 symphonies (nos. 94–104) | London Symphonies |
Beware: none of Haydn's symphonies is individually nicknamed the Paris symphony, but six of his symphonies (Nos. 82 to 87 – see above) were commissioned to be performed in Paris and are collectively known as the Paris Symphonies. Mozart, on the other hand, did write a Paris symphony – see below.
Four of Haydn's six Paris symphonies have names:
No. 82 | The Bear |
No. 83 | The Hen |
|||
No. 84 | In Nomine Domini |
No. 85 | La Reine |
Six of Haydn's eleven London symphonies (nos. 94 to 104 – see above) have names:
No. 94 | No. 96 | No. 100 | Military |
|||||||
No. 101 | Clock |
No. 103 | Drum Roll |
No. 104 | London |
Other named symphonies:
(Orchestra leaves the stage one by one) | No. 45 | ||
No. 48 | Maria Theresa | ||
(After the city where it was performed in 1791) | No. 92 | Oxford |
The Planets was Holst's op. 32 and was first performed in 1920. The seven movements are normally performed in this order:
The Bringer of War | Mars | |
The Bringer of Peace | Venus | |
The Winged Messenger | Mercury | |
The Bringer of Jollity | Jupiter | |
The Bringer of Old Age | Saturn | |
The Magician | Uranus | |
The Mystic | Neptune |
If you're wondering how to remember this order: it's the three rocky planets other than Earth (the ones nearest the Sun) in reverse order of distance from the Sun, followed by the four gas giants (the ones furthest from the Sun) in increasing order of distance from the Sun.
In other words, they're in order of distance from the Sun, except that the first three (Mercury, Venus and Mars) are reversed.
Note that when Holst wrote The Planets, Pluto hadn't been discovered. This of course ceased to be an issue after 2006, when Pluto was reclassified as a dwarf planet (along with Ceres and Eris – later joined by Haumea and Makemake). As it did when it was written, The Planets now has movements for all of the planets except Earth.
No. 2 | Resurrection |
No. 8 | Symphony of a Thousand |
Unfinished | No. 7 |
No. 3 | Scottish |
No. 4 | Italian |
No. 5 | Reformation |
No. | Nickname | ||
31 | Paris | ||
35 | Haffner | ||
(Austrian town – written on a journey there) | 36 | Linz | |
(After the city where it was performed in 1787) | 38 | Prague | |
41 | Jupiter |
Most of these questions can equally well be asked the other way round.
No. 8 | Unfinished |
No. 9 | Great C Major |
No. 2 | To October |
No. 3 | The First of May |
No. 7 | ||||||
No. 11 | The Year 1905 |
No. 12 | The Year 1917 |
No. 13 | Babi–Yar |
No. 1 | Winter Daydreams |
No. 2 | Little Russian |
No. 3 | Polish |
|||||
No. 4 | (No name) |
No. 5 | Great |
No. 6 | Pathétique |
Op. 58 – written in summer 1885, between the 4th and 5th symphonies: named after the poem by Lord Byron that it's based on, and not numbered | Manfred Symphony |
Ralph Vaughan Williams (1872–1958) wrote a total of nine symphonies, and four of them have names. These four are not generally known by their numbers – just the names.
For obvious reasons, take care with Nos 2 and 3.
No. 1 | Sea Symphony |
No. 2 | London Symphony |
|||
No. 3 | Pastoral Symphony |
No. 7 | Sinfonia antarctica |
© Haydn Thompson 2017–23