Opera
See also Opera: Composers,
Opera: Excerpts,
Gilbert & Sullivan.
Terminology
Text of an opera (or musical play) |
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Libretto |
Opening orchestral piece, introducing the main melodies |
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Overture |
Translation of the libretto, projected onto a screen above the stage |
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Surtitles |
Opera on a grandiose scale – all sung, with no spoken lines |
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Grand Opera |
A brindisi (paradoxically from the German (ich) bringe dir's – "(I) offer it to you") is a |
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Drinking song |
People
Founder of the Vic–Wells Opera company, 1931, which eventually became English National Opera (ENO) |
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Lilian Bayliss |
Often called the father of opera: Dafne (c. 1597) is often referred to as the first opera, and Eurydice
(first performed in the Pitti Palace, Florence, in 1600) is the oldest to survive to the present day |
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Jacopo Peri |
Appointed Maestro di Cappella to the viceroy of Naples, 1684; founder of the Neapolitan School of opera,
and regarded as the founder of modern opera (father of two other composers, Domenico and Pietro Filippo) |
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Alessandro Scarlatti |
British prime minister, satirised in the Beggar's Opera in the character of Macheath |
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Sir Robert Walpole |
English poet: collaborated with his American friend and lover Chester Kallman on the libretti for several operas,
including Stravinsky's The Rake's Progress |
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W. H. Auden |
Companies
Company that succeeded Lilian Bayliss's Vic–Wells Opera and was renamed ENO in 1974 |
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Sadler's Wells |
German–born impresario: founded and gave his name to a British opera company, founded in 1873 to present operas
in English in London and the Provinces; closed in 1960, revived in 1997 |
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Carl Rosa |
Titles
Ballad opera in three acts, first performed in London in 1728: written by John Gay, with musical arrangements
by Johann Christoph Pepusch; translated into German in the 1920s by Elisabeth Hauptmann, and arranged by Kurt Weill (with added lyrics by Bertold Brecht,
based on works by Rudyard Kipling and the 15th–century French poet François Villon) into Der Dreigrosschenoper (The Threepenny Opera
– first performed 1928) |
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The Beggar's Opera |
Details
Rossini and Massenet wrote operas (and Prokofiev wrote a ballet) based on |
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Cinderella |
Mussorgsky's Boris Godunov (composed around 1870) was based on a play of the same title, dating
from 1825, by |
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Aleksandr Pushkin |
Spanish city: setting for four of the most popular operas (and named in the title of one of them)
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Seville |
(Spoiler alert!): Il Segreto di Susanna (Susanna's Secret – Ermano Wolf–Ferrari, 1909): the
secret is that |
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She smokes! |
Bizet
Based on a story by Prosper Merimee; features the Toreador's Song |
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Carmen |
Carmen works in a |
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Cigarette factory |
Sergeant who falls in love with Carmen and eventually stabs her |
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Don Jose |
Carmen: Escamillo is a |
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Bullfighter |
Carmen is set in |
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Seville |
Famous for a duet sung by Zurga and Nadir |
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The Pearl Fishers |
The Pearl Fishers is set in |
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Ceylon |
Benjamin Britten
Based on Lytton Strachey's book Elizabeth and Essex: A Tragic History (1928); first performed at Covent
Garden in 1953, as part of the celebrations for the coronation of Queen Elizabeth II |
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Gloriana |
Central character in the above |
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Elizabeth I |
Written in 1952 to celebrate the Festival of Britain; set on board HMS Indomitable, in the aftermath of the
Spithead and Nore mutinies, during the French Revolutionary Wars (1797); based on a novella by Herman Melville |
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Billy Budd |
Tells the tragic (fictional) story of a fisherman from a fictional village (The Borough) based on Aldeburgh –
libretto from a poem by George Crabbe who, like Britten, lived in Aldeburgh |
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Peter Grimes |
Comic opera, first performed in 1947: based on a short story by Guy de Maupassant, but transposed to the fictional
Suffolk village of Loxford |
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Albert Herring |
Delibes
Set in India; title is the French rendition of the Sanskrit name of the Hindu goddess of wealth |
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Lakmé |
Mozart
Name translates approximately as So do all women |
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Cosi Fan Tutti |
Title character (a legendary libertine) murders Don Pedro (a.k.a. the Commendatore, or Commander) in the
opening scene, after attempting to rape his daughter (but she has escaped) |
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Don Giovanni |
Leporello, the title character's servant, enumerates his master's sexual conquests (including 1,003 in Spain);
later, he complains that he's sick and tired of hearing a particular Mozart aria everywhere all the time |
Masetto, a peasant, and his fiancée Zerlina, appear in |
In the final scene, a statue of the Commendatore comes to life – after which the disreputable title character is
dragged off to Hell by a chorus of demons |
Don Giovanni is set in |
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Seville |
Set in ancient Egypt: the Queen of the Night engages Tamino, a handsome young prince, and the birdcatcher Papageno
to free her daughter Pamina from the hands of Sarastro, the High Priest of Isis, with the help of the eponymous enchanted instrument. Sarastro
convinces them that he is holding Pamina for her own good; after many trials and tribulations, Tamino and Pamina are united in love |
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The Magic Flute |
Has been described as "a barely veiled Masonic allegory ... a kind of introduction to the secret society ... an
Enlightenment allegory, veiled in Masonic ritual" |
Based on the play La Folle Giornata (The Day of Madness) by Pierre Beaumarchais – whose subtitle is the
title of the opera; a sequel to Rossini's The Barber of Seville |
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The Marriage of Figaro |
Recounts a single day in the palace of Count Almaviva – the employer of the title character |
Begins with the hero measuring the space where his marriage bed will be, while the bride tries on her wedding bonnet |
The Marriage of Figaro: name of Figaro's bride (the Countess's maid) |
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Susanna |
Librettist for Don Giovanni, The Marriage of Figaro, and Cosi Fan Tutte |
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Lorenzo da Ponte |
Puccini
Title is the nickname of the tragic heroine, Cio Cio San (Cho–Cho San), who commits suicide on
her father's sword after being betrayed by Lieutenant Pinkerton, an American naval officer |
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Madame Butterfly |
Lt. Pinkerton's ship |
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Abraham Lincoln |
Madame Butterfly is set in (Japanese city) |
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Nagasaki |
Set in Rome, in 1800 (at the time of Napoleonic occupation);
the eponymous heroine is a famous singer, who
kills the villainous police chief, Baron Scarpia, but hurls herself from the parapet of the Castel Sant'Angelo after her lover,
the painter Mario Cavaradossi, is executed for helping a prisoner to escape |
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Tosca |
Set in Peking (Beijing); Ping, Pang and Pong are government ministers; tells the story of Prince Calaf's suit
for the title character; includes Nessun Dorma |
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Turandot |
Includes Your Tiny Hand is Frozen |
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La Boheme |
Whose tiny hand was frozen? |
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Mimi's |
Your Tiny Hand is Frozen: sung by |
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Rodolfo |
Set in a miners' camp in California |
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The Girl of the (Golden) West |
Rossini
Based on a play by Pierre Beaumarchais; subtitle The Useless Precaution |
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The Barber of Seville |
The Barber of Seville: name of the title character |
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Figaro |
Extract from overture used as theme tune to The Lone Ranger on TV |
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William Tell |
La Cenerentola is the Italian name for (central character) |
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Cinderella |
Prince Charming's right hand man, in La Cenerentola (Cinderella) |
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Dandini |
Richard Strauss
Baron Ochs and Octavian appear in |
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Der Rosenkavalkier |
Based on a controversial play by Oscar Wilde (biblical theme) |
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Salome |
Tchaikovsky
Librettist for The Queen of Spades (1890) and Iolanta (1892) |
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His brother, Modest |
Verdi
Commissioned by the Khedive of Egypt for the opening of the Suez Canal; first performed at the Khedivial
Opera House in Cairo, on Christmas Eve 1871 |
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Aida |
Title character is an Ethiopian princess who has been captured and enslaved by the Egyptians |
Set in Berkshire |
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Falstaff |
Set on Cyprus (Shakespeare's play is also set in Venice) |
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Othello |
Based on Victor Hugo's novel Le Roi s'amuse; the eponymous character is the deformed court
jester to the licentious Duke of Mantua |
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Rigoletto |
Includes La Donna e Mobile |
Tells the story of the Jews' captivity in Babylon; features the Chorus of the Hebrew Slaves |
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Nabucco |
Nabucco is an abbreviation of the Italian name for the Biblical character known in English as
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Nebuchadnezzar |
Manrico is the title character in |
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Il Trovatore |
The Anvil Chorus comes from |
Opera about Philip II of Spain |
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Don Carlos |
Based on the play La Dame aux Camelias, by
Alexandre Dumas (fils); set in Paris; title translates as The Fallen Woman |
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La Traviata |
Violetta Valery, a consumptive courtesan, is the heroine of |
Wagner
Hero of the Ring of the Niebelungen |
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Siegfried |
Title characters are given a love potion instead of poison; includes the Liebestod (love in death) –
a.k.a. Mild und Leise (Mildly and Quietly) |
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Tristan and Isolde |
Based on two 13th–century versions of the Knight of the Swan legend; title character is a knight of the Holy
Grail, sent in a boat pulled by swans to rescue a maiden who can never ask his identity; the son of Parsifal (Percival), one of the Knights of
the Round Table |
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Lohengrin |
Includes Here Comes the Bride and the Swan Chorus |
Augustine Mosler (a tailor), Veit Pogner (goldsmith) and Herman Ortel (soap boiler) appear in |
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Meistersingers |
The immolation scene in Gotterdammerung includes the longest aria in opera – sung by |
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Brunnhilde |
Other composers
Beethoven | Beethoven's only opera: a faithful wife disguises herself as a man in order
to free her husband from prison |
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Fidelio |
Alban Berg | Lulu: the heroine is killed by |
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Jack the Ripper |
Berlioz | Beatrice e Benedict: based on Shakespeare's |
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Much Ado About Nothing |
Delius | Characters include the Dark Fiddler; includes the orchestral interlude
The Walk to the Paradise Garden (the Paradise Garden is an inn) |
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A Village Romeo & Juliet |
Gershwin | Takes place on Catfish Row, Charleston, South Carolina
(said to be based on the real–life Cabbage Row) |
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Porgy & Bess |
The first opera by a US–born composer to be performed at La Scala (Milan) |
Crown (a tough stevedore) and Sportin' Life (a drug dealer) are two of the main characters in |
Handel | The overture to Act III of Solomon is commonly known as |
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The Arrival of the Queen of Sheba |
Leoncavallo | Title means "Clowns"; includes a famous prologue sung by a clown |
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Pagliacci |
Mascagni | One–act opera often performed alongside Pagliacci |
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Cavalieri Rusticana |
Offenbach | The Infernal Galop, better known outside classical music circles as 'the
can–can', is the climax to (an opéra bouffe, or operetta) |
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Orpheus in the Underworld |
Ponchielli | Famous dance interlude from La Gioconda (parodied as Hello Muddah,
Hello Fadduh) |
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Dance of the Hours |
Purcell | His only true opera |
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Dido & Aeneas |
Rimsky–Korsakov | His last opera – about a bird that warns of danger |
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The Golden Cockerel |
Sigmund Romberg | University attended by the title character of The Student Prince |
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Heidelberg |
Johann Strauss II | Centres around a ball at the summer house of Prince Orlovsky |
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Die Fledermaus |
Igor Stravinsky | 1951: loosely based on a series of paintings by William Hogarth (also
published as engravings) |
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The Rake's Progress |
Ralph Vaughan Williams | Based on Shakespeare's The Merry Wives of Windsor –
the title refers to Falstaff |
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Sir John In Love |
Richard Wagner | Title character is a 13th–century German minnesinger or
troubador |
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Tannhäuser |
Kurt Weill | The Threepenny Opera: libretto |
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Bertholt Brecht |
© Haydn Thompson 2017–23