Theory of Music
Notes (etc.)
The five lines on which music is written |
|
Stave |
Semitones in an octave |
|
12 |
The longest note in modern music: known in America as a 'double whole note' (see below); shares its name
with a mark placed over a vowel in printing, to indicate pronunciation (typically that it is short); this mark is sometimes informally known
as a 'cup' |
|
Breve |
Known in America (rather confusingly, given the name by which it's known in British English) as a 'whole
note'; represented on scores as a hollow oval |
|
Semibreve |
Half of a 'whole note' (see above) |
|
Minim |
One quarter of a 'whole note' |
|
Crotchet |
One eighth of a 'whole note' |
|
Quaver |
One sixteenth of a 'whole note': known in France as a double–croche
|
|
Semi–quaver |
A dot beside a note |
|
Lengthens it by 50% |
A note that's neither a sharp nor a flat |
|
Natural |
Notes with no flats |
|
C, F |
Notes with no sharps |
|
B, E |
Notes with both a sharp and a flat |
|
A, D, G |
Notes on the lines, in the treble stave |
|
E, G, B, D, F |
Notes between the lines, in the treble stave |
|
F, A, C, E |
Notes on the lines, in the bass stave |
|
G, B, D, F, A |
Notes between the lines, in the base stave |
|
A, C, E, G |
In the above table, each list of notes starts with the lowest note and ends
with the highest. That is: it starts at the bottom of the stave and ends at the top.
There are well–known mnemonics for all of these:
Notes on the lines, in the treble stave |
|
Every Good Boy Deserves
Favour (or Fun) |
Notes between the lines, in the treble stave |
|
Spell the word FACE |
Notes on the lines, in the bass stave |
|
Good Boys Deserve Favour
(or Fun) Always |
Notes between the lines, in the bass stave |
|
All Cows Eat Grass |
If I'm interpreting Wikipedia correctly, there are three basic,
historical forms of musical composition:
For voices with instrumental accompaniment: literally meaning 'sung' – the feminine singular past participle
of the Italian verb meaning 'to sing' |
|
Cantata |
Originally a piece for one or more solo instruments, often with continuo; later came to mean a piece performed by
a solo instrument, most often a keyboard instrument, or by a solo instrument accompanied by a keyboard instrument; from the Latin and Italian
words meaning 'to sound' |
|
Sonata |
The alternative style to a sonata: built on a subject (theme) that is introduced at the beginning, repeated at
different pitches, and recurs frequently |
|
Fugue |
Movements in a sonata or concerto (typically) |
|
3 |
Movements in a string quartet or symphony (typically) |
|
4 |
Key Signatures
I like to think I'm quite musical, but I never studied music theory to any great depth. Consequently I have always been floored by questions
such as "How many sharps are there in the key of D major?"
(You may be relieved to hear that this is very much a University Challenge or "league" standard question – I've
never heard such a question asked in a normal pub quiz.)
I believe there are two alternative approaches to such questions. You can either learn the 32 different answers, or you can learn how to work
out the answer in each case. (OK, there is a third alternative: you can just not bother. But that is of course not an option that this website
would consider.)
The table below is designed to help you with the first approach. I have a method for the second; click here
if you'd like to have a look at it. I warn you, it's a bit complicated ...
|
Keys with sharps |
Keys with flats |
| Major key |
Minor key | Sharps | Major
key |
Minor key | Flats |
0 |
|
C |
|
A |
| (None) |
|
C |
|
A |
| (None) |
1 |
|
G |
|
E |
|
F♯ |
|
F |
|
D |
|
B♭ |
2 |
|
D |
|
B |
|
F♯
C♯ |
|
B♭ |
|
G |
|
B♭
E♭ |
3 |
|
A |
|
F♯ |
|
F♯
C♯
G♯ |
|
E♭ |
|
C |
|
B♭
E♭ A♭ |
4 |
|
E |
|
C♯ |
|
F♯
C♯
G♯
D♯ |
|
A♭ |
|
F |
|
B♭
E♭ A♭ D♭ |
5 |
|
B |
|
G♯ |
|
F♯
C♯
G♯
D♯
A♯ |
|
D♭ |
|
B♭ |
|
B♭
E♭ A♭ D♭ G♭ |
6 |
|
F♯ |
|
D♯ |
|
F♯
C♯
G♯
D♯
A♯
E♯ |
|
G♭ |
|
E♭ |
|
B♭
E♭ A♭ D♭ G♭ C♭ |
7 |
|
C♯ |
|
A♯ |
|
F♯
C♯
G♯
D♯
A♯
E♯
B♯ |
|
C♭ |
|
A♭ |
|
B♭
E♭ A♭ D♭ G♭ C♭ F♭ |
The final thing to say on this topic is that there's just a chance you might get asked (for example) what are the two flat notes in the key of
B♭ major.
In order to work out the answers to questions of this sort, I'm indebted to Wikipedia
– which credits Schonbrun, Marc (2005): The Everything Music Theory Book, p.68. ISBN 1–59337–652–9 –
for the following mnemonic:
Father Charles Goes
Down And Ends Battle
You may notice, if you look at the table above, that this tells us the order in which the sharps appear; in other words,
if a key has one sharp, that sharp is F♯;
if it has two sharps, they're F♯
and C♯,
and so on.
We make further use of this mnemonic on the more specialised Key Signatures page.
For the scales that start on a flat note (such as B♭ major, which is the one in our example above),
we need to reverse the words in the acronym (and make one minor adjustment so that it makes sense):
Battle Ends And Down Goes
Charles's Father
This tells us that the first flat to be used (in F major or D minor) is B♭; in the keys that have two flats, B♭ is joined by E♭.
So the two flats in the key of B♭ major are B♭ and E♭.
Simples!
Voices
Female voices (in descending order):
|
Soprano |
|
Mezzo–soprano |
|
Contralto |
Male voices (immature – descending order):
|
Treble |
|
Alto |
Male voices (mature – descending order):
|
Counter–tenor (castrato) |
|
Tenor |
|
Baritone |
|
Bass |
Terminology
Term for singing (by a soloist or group) without instrumental accompaniment – Italian for "in the style
of the church (or chapel)" |
|
A capella |
Notes of a chord, played one after the other, not simultaneously; means "as if played on a harp" |
|
Arpeggio |
Proportionate increase of the note values of a theme |
|
Augmentation |
Italian term, meaning "beautiful singing", used in opera for a style of singing characterised by beauty of
tone rather than dramatic power |
|
Bel canto |
A passage that brings a movement or piece to a conclusion |
|
Coda |
4/4 time |
|
Common time |
International standard pitch – A above Middle C has 440 Hz |
|
Concert pitch |
Getting louder |
|
Crescendo |
Getting softer (opposite of a crescendo) |
|
Diminuendo |
Proportionate decrease of the note values of a theme |
|
Diminution |
Name given to the fifth note in a scale – 'soh' or 'sol' in the sol–fa notation –
the most important note after the first |
|
Dominant |
Sliding up and down a scale |
|
Glissando |
Playing a stringed instrument by plucking rather than bowing |
|
Pizzicato |
Played with notes detached from one another |
|
Staccato |
Col legno is an instruction to the player of a stringed instrument, to play |
|
With the back (wooden part) of the bow |
Con sordino (plural con sordine) is an instruction to a musician, to play |
|
With the mute(s) |
Tempo Markings (etc.)
Some of these terms are easily confused: specfically, there are at least four terms that basically mean "slowly" and at least three
that mean "fast". For this reason, I think they're best asked this way round:
Adagio |
|
Slowly |
Allegro |
|
Fast, quickly and bright ("marching pace") |
Andante |
|
At walking pace |
Con brio |
|
With spirit or vigour |
Dolce |
|
Sweetly, softly |
Forte (abbreviated to f), fortissimo (ff) |
|
Loud, very loud |
Largo |
|
Slow, dignified ("broadly") |
Legato |
|
Smoothly ("tied together") |
Lento |
|
Slowly |
Piano (p), pianissimo (pp) |
|
Quiet, very quiet |
Presto |
|
Very fast |
Rallentando |
|
Slowing down |
Scherzo (literal meaning, in Italian) |
|
Joke |
Tacet |
|
Stop playing; be silent |
Vivace |
|
Fast, lively (between Allegro and Presto) |
© Haydn Thompson 2017–24