This page covers all forms of dance except ballet and related
forms, for which see Classical Dance.
Slow rumba–style dance from Guadeloupe and Martinique, made famous by a Cole Porter song of 1935 |
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Beguine |
Originated among the African–American population of the southern US states, becoming a national craze during the 1920s |
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Black Bottom |
Spanish dance in 3/4 time, performed as a solo or with a partner, often accompanied by guitar and castanets;
popular since the late 18th century |
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Bolero |
Brazilian dance or music style – a blend of samba and jazz – popularised in the 1950s and 60s by
singer/songwriter/guitarist João Gilberto, composer Tom Jobim and lyricist Vinicius de Moraes; name is Portuguese for 'new trend'
or 'new wave' |
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Bossa Nova |
Dance troupe associated with the Folies Bergere, Paris, from 1932; founded by Margaret Kelly (d. 2005) |
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Bluebell Girls |
Type of dance originating in Spain (credited to a dancer from Cadiz, around 1780) and also associated with Cuba;
also the name of a short jacket with long sleeves |
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Bolero |
High–energy dance originating in French music hall in the early 19th century: made famous in the 1890s by
professional dancers such as La Goulue (Louise Weber) and Jane Avril – both regular performers at the Moulin Rouge in Paris |
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Can–can |
A square dance figure in which couples pass back to back |
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Do–si–do (dos–a–dos) |
Traditional Maori dance form – one type of which (a war dance) is performed with great relish by the New Zealand
rugby team (All Blacks) before each game |
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Haka |
1975 dance craze spawned by a Top 10 hit (US No. 1) for Van McCoy and the Soul City Symphony |
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Hustle |
Dance craze of the late 1980s (aided by a worldwide 1989 hit of the same title by the French–Brazilian group
Kaoma): a dance for couples, originating in Brazil; name is Portuguese for a strong slap or hit |
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Lambada |
Derived from the Charleston, named after a famous aviator (originated in New York around 1928) |
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Lindy Hop |
Named after a priestess in the Voodoo religion of Haiti |
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Mambo |
1960s dance craze, similar to the Twist: associated with James Brown, and mentioned (along with the Twist) in
Do You Love Me – a song written by Berry Gordy, which was a UK No. 1 hit for Brian Poole & the Tremeloes in 1963 |
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Mashed Potato |
Spanish dance where the man represents a bullfighter and the woman his cloak; name means 'double step' |
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Pasa Doble |
19th century Bohemian dance: three steps and a hop, in quick time; the name is believed to be derived from a Czech
word meaning 'half–step' |
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Polka |
Slow dance in ¾ time: name is the French adjective indicating its country of origin |
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Polonaise |
Historic name for a dance involving four couples in a square formation (precursor of the square dance) |
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Quadrille |
Originated in the 1920s, incorporating elements of the foxtrot, the Charleston, the shah and the peabody |
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Quickstep |
Developed in the USA during the 1920s, inspired by Cuban musical styles |
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Rumba |
Originated in New York in the 1970s, influenced by various Latin American styles: name is Spanish for 'sauce' |
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Salsa |
Tempos in Scottish dancing |
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Strathspey |
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Jig |
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Reel |
Originated in the 1880s, in working–class areas of Buenos Aires and Montevideo (and other areas along the banks
of the River Plate); began to spread internationally around 1900, despite the disapproval of many who saw it as extremely sexual and inappropriate
for public display |
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Tango |
French–born Argentinian singer and composer Carlos Gardel (Charles Gardès) is the most prominent figure
in the history of |
Group of folk dances that mimic a form of hysteria, once thought to be caused by the bite of a species of wolf
spider which is named after a city in southern Italy, and thought to act as an antidote to the venom. Variations include the Neapolitan,
Sicilian, Apulian and Calabrian
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Tarantella |
Originated as a folk dance in Austria and Bavaria, as long ago as the 17th century; became popular in Viennese
society in the late 18th; became fashionable in Britain during the Regency period, but was considered indecent by many until at least the
mid–18th due to the "closed" position of the dancers, involving actual body contact; name comes from the German word meaning
to revolve |
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Waltz |
Style of dance music originating in Louisiana, influenced by blues and West Indian music, using instruments such as
accordion, saxophone, and washboard |
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Zydeco |
Described by both George Balanchine and Rudolf Nureyev as "the world's greatest dancer" |
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Fred Astaire |
US dancer, caused a sensation in Paris 1925 with a costume that included bananas and little else |
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Josephine Baker |
Principal female dancer of Riverdance |
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Jean Butler |
Husband–and–wife team, credited with reviving interest in dancing in the early 20th century; reached the
peak of their popularity in Irving Berlin's first Broadway show, Watch Your Step (1914); also appeared in silent movies; he died in
a plane crash in 1918; played in a 1939 musical biopic (based on her memoirs) by Fred Astaire and Ginger Rogers |
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Vernon & Irene Castle |
Creator, choreographer, and principal male dancer, of Riverdance |
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Michael Flatley |
Hollywood and Broadway dancer, choreographer and director; born Chicago 1927; directed the films Sweet Charity,
Cabaret, All That Jazz; died in 1987 |
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Bob Fosse |
British Music Hall act (1928–62): capitalising on the fashion for Ancient Egyptian imagery following the
discovery of Tutankhamun's tomb, they were best known for the Sand Dance and 'Cleopatra's Nightmare' |
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(Jack) Wilson, (Joe) Keppel & Betty (Knox) |