Quiz Monkey |
Arts & Entertainment |
Pop Music |
Songs |
Songs |
People |
Bee Gees songs |
Songs Used in Levi's Ads |
And finally ... |
See also Signature Tunes.
American country standard: first recorded in 1972 by Gwen McCrae; UK No. 9 for Elvis Presley in 1972; the Pet Shop Boys' Elvis tribute version was UK Christmas No. 1 in 1987, and voted the best cover of all time by BBC Radio 2 listeners in 2014 | Always On My Mind | |
Written by Robbie Williams and his regular songwriting partner Guy Chambers: released in 1997, Williams's best–selling single (1.16 million copies); won a 2005 poll as as the song people in the UK would most like to be played at their funeral (My Way was 2nd, Always Look on the Bright Side of Life 3rd) | Angels | |
Popular Scottish song: written in 1835 by Alicia Scott, based on a poem attributed to William Douglas (c. 1672–1748); opening line "Maxwelton's braes are bonnie" | Annie Laurie | |
Saxophonist Raphael Ravenscroft (born 1954, probably in Stoke–on–Trent) is most associated with (track recorded in 1978) | Baker Street | |
Joni Mitchell song after which Bill & Hillary Clinton named their daughter | Chelsea Morning | |
Written by Roy Orbison for his wife, whom he married in 1957; recorded in 1958 by the Everly Brothers, backing All I Have to Do is Dream (a double A–side); the record gave them their first UK No. 1 | Claudette | |
Barry Manilow 1978 hit: based on Chopin's Prelude No. 20 (especially in its intro); also a hit for Donna Summer in 1976 and Take That (No. 3 in 1992, without the Chopin intro) | Could It Be Magic | |
Words written in 1910 (by English lawyer Frederick Weatherly) to the traditional Irish tune Londonderry Air | Danny Boy | |
Kinks song, re–released in 1996 after featured in a Yellow Pages advert | Days | |
Hit for Wink Martindale in 1959, 1969, 1963, 1973, and Max Bygraves in 1973 | Deck of Cards | |
Written by Leon Russell, taken into the charts by Joe Cocker; said to have been inspired by the singer Rita Coolidge | Delta Lady | |
Song from The Wizard of Oz (sung by the Munchkins): reached No. 2 in the UK charts in 2013 (to the dismay of some of the performers), following the death of a certain public figure | Ding–Dong! The Witch is Dead | |
No. 1 for Tommy Roe in 1969, Vic Reeves and the Wonder Stuff in 1991 | Dizzy | |
Hit for Harold Melvin & the Bluenotes in 1976, Thelma Houston in 1977, The Communards in 1986 (Houston's version remixed in 1995) | Don't Leave Me This Way | |
Fleetwood Mac song: used as a theme tune in Bill Clinton's 1991 Presidential campaign, and by David Cameron at Conservative Party conferences | Don't Stop (Thinking About Tomorrow) | |
David Cameron claimed, on Desert Island Discs (2006) that his party piece, and the only song he knew all the words to, was | Ernie | |
Rupert Holmes' biggest hit (1979) – a.k.a. "the Pina Colada Song" | Escape | |
No. 1 for the Bangles in 1989 and Atomic Kitten in 2001 | Eternal Flame | |
Hit for Ken Boothe, Bread and Boy George | Everything I Own | |
Final track on David Bowie's 1975 album Young Americans, and the second single from it: John Lennon received a writing credit and sang backing vocals; later regarded as one of his best songs | Fame | |
Composed by Hoagy Carmichael, has been recorded by dozens of artists including Ray Charles and Willie Nelson; "official state song" of the state that shares its name | Georgia | |
Bossa Nova classic: words by Vinicius de Morales, music by Tom Jobin; first recorded in English by Stan Getz, Jobin and João Gilberto, with vocals by Gilberto's then wife Astrud; said to be the second most recorded pop song in history, after Paul McCartney's Yesterday | The Girl from Ipanema | |
Conceived by George Martin for the 1960 film The Millionairess, starring Sophia Loren and Peter Sellers; music by David Lee, lyrics by Herbert Kretzmer (of Les Misérables fame); not included in the film, but was a No. 5 hit; title used for a BBC TV comedy sketch show (1996–8) | Goodness Gracious Me | |
Marvin Gaye song (1977: US No. 1, UK No. 7), over which his family successfully sued Pharrell Williams and Robin Thicke (to the tune of over $7 million) for plagiarism in Blurred Lines (2013 – a multiple–platinum No. 1 all around the world) | Got to Give it Up | |
Propaganda song, written by Woody Guthrie in 1941, inspired by and named after an American engineering project; a UK top ten hit for Lonnie Donegan in 1958 | Grand Coulee Dam | |
Written by Buck Ram, manager of the Platters, who had a UK Top Ten hit (and a US No. 1) with it in 1955; also a UK Top Ten hit for Freddie Mercury in 1987, and reputedly inspired the name of a British–American rock band formed in March 1978 | The Great Pretender | |
Hit for the Mindbenders in 1966; No. 1 for Phil Collins after he sang it in Buster | Groovy Kind of Love | |
Written by sisters Patty and Mildred Hill – to be sung in the Kindergarten where Patty was a teacher – and first published in 1893; copyrighted in 1935 by the Summy Company, which was bought by Warner/Chappell Music in 1988 – thought to contribute 20% of the purchase price of $25 million; came out of copyright in the EU in 2017, and (following a 2013 lawsuit in which Warner/Chappell were successfully sued for unlawfully claiming copyright) was deemed in 2016 to have also done so in the USA | Happy Birthday To You | |
From the Rodgers & Hammerstein musical South Pacific – a UK No. 1 hit for Captain Sensible in 1982 | Happy Talk | |
"It's down at the end of Lonely Street ... " | Heartbreak Hotel | |
Song recorded by Wings, released as a single in the UK and elsewhere but on the Band on the Run album in the USA: named after Paul McCartney's Land Rover | Helen Wheels | |
Single–word title that links Lionel Richie (1993), The Beloved (1990), Oasis (1995) and Adele (2015) | Hello | |
Music by Jimmy Van Heusen, lyrics by Sammy Cahn: sung by Frank Sinatra and child actor Eddie Hodges in the 1959 film A Hole in the Head; won the Oscar for Best Original Song; lyrics include an ant moving a rubber tree plant | High Hopes | |
Traffic's biggest hit (UK No. 2, 1967); also No. 2 in 1984, credited to "Neil" | Hole In My Shoe | |
Sung by Margaret Thatcher in a pre–recorded video for the 1990 Brit awards – she claimed it was her favourite pop song | (How much is) That Doggie in the Window | |
New Seekers hit 1971, based on a Coca Cola advert first aired earlier that year: Oasis were successfully sued for plagiarising it in Shakermaker | I'd Like to Teach the World to Sing (in perfect harmony) | |
Song from Les Misérables that made Susan Boyle famous | I Dreamed a Dream | |
Music Hall song written in 1910 by Fred Murray and R. P. Weston: signature song of the music hall star Harry Champion; a No. 1 hit in the USA for Herman's Hermits in 1965 | I'm Henry VIII, I Am | |
John Lennon song: written, recorded and released as a single in ten days (Jan/Feb 1970); features the memorable chorus line "We all shine on" | Instant Karma! | |
Written in 1912 by West Midlands–born Music Hall artiste Jack Judge – reputedly in 24 hours, to win a 5/- (five shilling) bet | It's a Long Way to Tipperary | |
UK No. 34 for Betty Everett in 1968; No. 1 for Cher in 1991 (with the title and subtitle swapped round) after she sang it in the film Mermaids | It's In His Kiss (The Shoop Shoop Song) | |
1984 Queen single: controversial video featuring band members in drag (said to be a parody of Coronation Street) – banned by MTV in the USA until 1991 | I Want to Break Free | |
Whitney Houston: best–selling song by a female artiste in the 20th century | I Will Always Love You | |
Donovan hit (UK No. 5 in 1968): final verse was sung in French ("Dort–elle? Je ne crois pas ... ") | Jennifer Juniper | |
Chuck Berry song included on the Voyager 1 "Golden Record" (1977) | Johnny B. Goode | |
Written by Harry Lauder following the death of his son, in action in World War I; adopted by fans of Birmingham City FC as their "anthem", during their FA Cup run in 1956 (they lost the final) | Keep Right On to the End of the Road | |
The Cure's first single – inspired by Albert Camus's The Outsider | Killing an Arab | |
Abba song that gave its name to Alan Partridge's spoof chat show | Knowing Me, Knowing You | |
Written by Irving Berlin for the 1936 film Follow the Fleet, in which it featured in a celebrated dance duet by Astaire & Rogers; also what Angela Rippon danced to on the Morecambe & Wise Show | Let's Face the Music and Dance | |
Written as a poem in 1915 by a German schoolteacher conscripted into the German army; set to music in 1938; became popular with troops on both sides in the Second World War, after the German forces' radio station began playing it to sign off each evening | Lili Marleen | |
Written in 1869 by Joseph Eastburn Winner, as a drinking song: became a classic of the Big Band era after being recorded in 1939 by the Glenn Miller Orchestra | Little Brown Jug | |
Kylie Minogue's first hit – No. 2 in 1962 for Little Eva | The Locomotion | |
Words written in 1858 by Adelaide Anne Proctor, and published in The English Woman's Journal; tune composed in 1877 by Sir Arthur Sullivan, at the deathbed of his brother Fred | The Lost Chord | |
R'n'B standard: written in 1955 by the African–American singer Richard Berry, best known through a version recorded in 1963 by the American "garage rock" group The Kingsmen, which reached No. 2 in the USA and No. 26 in the UK | Louie Louie | |
Top 10 hit for The Toys (1965): based on the Minuet in G, traditionally attributed to J. S. Bach, but established in the 1970s to be by his contemporary and fellow German, Christian Petzold | A Lover's Concerto | |
Song from the Threepenny Opera (words Bertholt Brecht, music Kurt Weill) that was a hit for Bobby Darin in 1959 | Mack the Knife | |
1975: replaced a song whose lyrics prominently featured its title as UK No. 1 | Mamma Mia (Abba) | |
Originally written in French by Claude Francois and Jacques Revaux as Comme d'habitude | My Way | |
U2's first UK hit single (reached No. 10 in 1983): inspired by the Polish trade union movement Solidarity | New Year's Day | |
Dolly Parton and Sheena Easton had hits in 1981 with two different songs of the same title (both reached No. 1 in the USA) | 9 to 5 | |
Co–written and recorded by Red Foley (1933); sung by Elvis Presley at his first public performance (1945, aged 10); also Clinton Ford's first UK hit (No. 27, 1959) | Old Shep | |
Recorded by Whitney Houston as the theme of the 1988 (Seoul) Olympics | One Moment in Time | |
Hit for Yazoo in 1982 and The Flying Pickets in 1983 | Only You | |
Title of hit songs for Cliff Richard (1964), Chris Rea (1986, 1988) and York (2004) | On the Beach | |
Enya's only UK No. 1 – often referred to as Sail Away | Orinoco Flow | |
Popular Neapolitan song, composed 1898, whose tune was used for Elvis Presley's It's Now or Never and also for Just One Cornetto | O Sole Mio | |
Elton John hit, said to have been inspired by Billie Jean King and named after her tennis team | Philadelphia Freedom | |
No. 1 in the UK for Frankie Goes to Hollywood (Dec 1984) and Jennifer Rush (Oct 1985), and in the US for Huey Lewis & the News (Aug 1985 – UK top ten): same title, three different songs | The Power of Love | |
Jackie Paper was the best friend of | Puff the Magic Dragon | |
1981 Blondie single: features an extended rap section, often named as the first rap single to achieve mainstream chart success | Rapture | |
Based on Psalm 137, and the last verse of Psalm 19; written by Jamaican reggae band The Melodians in 1972, popularised by Boney M in 1987 | Rivers of Babylon | |
Recorded in March 1951 by Ike Turner's Kings of Rhythm, featuring Turner on piano; credited to Jackie Brenston and his Delta Cats (Brenston was the saxophonist and occasional singer with the Kings of Rhythm); named after an Oldsmobile car, introduced 1949; often described as the first rock 'n' roll record. Essentially written by Turner and Brenston; the decision to credit Brenston seems to have been made by producer Sam Phillips | Rocket 88 | |
The first UK Top Ten hit for the White Stripes, and arguably their biggest hit of all: its riff has been used as a sports anthem, and perhaps most famously by supporters of Jeremy Corbyn (one–time leader of the UK's Labour Party) | Seven Nation Army | |
Oasis's second single (No. 11 in 1994), for which Noel Gallagher was successfully sued to the tune of £270,000 for plagiarism (of I'd Like to Teach the World to Sing) by the New Seekers | Shakermaker | |
Traditional American folk song, about a fur trader's love for the daughter of the eponymous (real–life) Native American chief – who also shares his name with the river that flows into the Potomac at Harpers Ferry, West Virginia | (Oh) Shenandoah | |
1966 hit for the Beach Boys (US No. 3, UK No. 2): based on a Bahamian folk song transcribed in 1916 by the English poet and writer Richard Le Gallienne (and included in Carl Sandburg's 1927 collection The American Songbag) | Sloop John B | |
Classic Deep Purple track, with an iconic guitar riff: based on the true story of a fire that occurred in 1971 in Montreux, Switzerland (on the shore of Lake Geneva) – while the band were preparing to record an album there | Smoke on the Water | |
Palindromic title by a palindromic band (no. 1 in 1975) | S.O.S. (Abba) | |
Booker T. & the MGs hit used as theme for BBC TV cricket | Soul Limbo | |
Bee Gees song (from the soundtrack of Saturday Night Fever): often said to be ideal for performing cardio–pulmonary resuscitation (CPR) – 104 beats per minute (bpm) | Stayin' Alive | |
Recorded by Billie Holiday in 1939: its two–word title completes the opening line, "Southern trees bear a ... " | Strange Fruit | |
The cartoon character Scooby Doo is often said to be named after a nonsense phrase sung by Frank Sinatra in | Strangers in the Night | |
Originally recorded in 1932 by Ambrose and his Orchestra, with vocals by Sam Browne, and by the Henry Hall BBC Dance Orchestra with vocals by Val Rosing; used in the 1985 version of the musical Me and My Girl; caused controversy in 2014 when a listener complained after veteran BBC Radio Devon presenter David Lowe played the Ambrose version, not realising that it contained the lyric "He's been tanning niggers out in Timbuktu". Lowe was forced to resign, and although later offered his job back, he did not return | The Sun Has Got His Hat On | |
ABBA song (their 9th and last UK No. 1): namechecks a make of spotlight in its title, and the city of Glasgow in its first line | Super Trouper | |
Written by W. Axl Rose, reputedly for (i.e. about) Erin, the daughter of Don Everly – to whom he was briefly married | Sweet Child o' Mine | |
Theme song of the Harlem Globetrotters | Sweet Georgia Brown | |
Written in the mid–1970s by the Southern rock group Lynyrd Skynyrd as a rebuttal Neil Young, some of whose lyrics criticise attitudes to race in the southern United States | Sweet Home Alabama | |
Pop standard (introduced by Bing Crosby in the 1944 film Going My Way, when it won the Oscar for Best Original Song): a Top Ten hit in the UK for Big Dee Irwin and Little Eva, in 1964 | Swinging on a Star | |
D:Ream hit, used by Labour as a theme for its successful 1997 election campaign | Things Can Only Get Better | |
Rosemary Clooney hit of 1954, revived by Shakin' Stevens in 1981 | This Ole House | |
David Guetta's 2011 No. 1: title is a metal with the atomic number 22 | Titanium | |
American folk song, about a 22–year–old American civil war veteran who was hanged in 1868, for a murder that many claim he didn't commit: a UK top ten hit in 1958 for both Lonnie Donegan and the Kingston Trio | Tom Dooley | |
South African "street music" tune, played on a penny whistle: a No. 2 hit in April 1958 for Elias and his Zig Zag Jive Flutes and a No. 24 in July 1958 for Ted Heath and his Music; No. 6 in 1980 for the Piranhas, who added words, including the chorus "The whole thing's daft, I don't know why, you have to laugh or else you cry" (etc.); became a favourite on the football terraces | Tom Hark | |
Written by Pete Seeger, recorded by The Byrds: uses words from Ecclesiastes 3 | Turn! Turn! Turn! | |
No. 1 for Jimmy Young (1955), Robson & Jerome (1995), Gareth Gates (2002); also No. 14 for the Righteous Brothers (1965), which was the version used in the film Ghost (1990). Various other versions have also charted | Unchained Melody | |
Originally by the Drifters (US No. 4, UK No. 45, 1964); UK No. 22 for Tom Tom Club (1982); UK No. 2 for Bruce Willis (1987) | Under the Boardwalk | |
Squeeze's second Top Ten single: inspired by a TV play by Nell Dunn, based on her book of short stories; the book, the play and the song all have the same title | Up the Junction | |
Aerosmith song, more famously covered by Run–DMC, inspired by an old music hall joke (reportedly after Aerosmith saw a version of it in Mel Brooks's Young Frankenstein) | Walk this way | |
UK No. 2 hit of 1967, said to have been partly inspired by Terence Stamp and Julie Christie ("Terry meets Julie, Waterloo station, every Friday night") | Waterloo Sunset | |
US recording inspired by the UK's Do They Know it's Christmas – written by Michael Jackson and Lionel Richie, produced by Quincy Jones, released in March 1985 | We are the World | |
1969 single by Max Romeo, banned by the BBC | Wet Dream | |
Often said to be based on Bach's music; in fact, although reminiscent of Sleepers Awake and/or Air on a G string, not actually based on either | A Whiter Shade of Pale | |
Title given by US folk group The Weavers (featuring Pete Seeger) to a song written and originally recorded in South Africa in 1939, entitled Mbube (also known as The Lion Sleeps Tonight) based on a mis–hearing of its backing vocal line, "uyimbube" (oo–YIM–boo–beh) meaning "you're a lion" – also used by Karl Denver in his 1962 hit version | Wimoweh | |
Signature tune of the German rock band Scorpions: "a symbolic anthem of the political changes in Eastern Europe in the late 1980s and early 1990s and the fall of the Berlin Wall" (according to Wikipedia) | Wind of Change | |
Song from the musical Carousel, became a football anthem (for Liverpool FC) after it was a No. 1 hit for Gerry & the Pacemakers in 1963 | You'll Never Walk Alone |
The song by Chris Rea, entitled The Road to Hell, was reputedly written about the | M25 |
Five songs written by the Bee Gees, that were taken to the top of the charts by other artists.
Don McLean, when asked what American Pie meant | It means I never have to work again. |
© Haydn Thompson 2017–23