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This page covers the history and terminology of architecture.
See also Architects.
In the study of classical architecture, an order is the term used to describe a column and its entabulature, considered as a whole. These terms are usually referred to by laymen as types (or styles) of column:
A column and its entabulature, considered as a whole | Order |
The three stylistic periods of English Gothic architecture (all dates approximate):
1190–1250 | Early English | |
1250–1360 | Decorated | |
1330–1550 | Perpendicular |
Italian style, introduced to England in the early 17th Century by Inigo Jones | Palladian |
Note: some items under General (below) are most often, but not always, associated with churches.
A large open space within a building, often featuring a glass roof | Atrium | |
St. Paul's cathedral is probably Britain's best–known example of (the elaborately–ornamented style that dominated European art and architecture from about 1600 to 1750) | Baroque | |
Projecting support built on to the outside of a wall | Buttress | |
Italian term for a bell tower not attached to a church | Campanile | |
A rounded, convex surface, usually surrounded with carved ornamental scrollwork, for receiving a painted or low–relief decoration such as a shield or coat of arms; originally an oval or oblong figure, such as those found on ancient Egyptian monuments, enclosing characters that represent the name of a sovereign | Cartouche | |
Supporting column in the form of a female statue (cf. Telemon) | Caryatid | |
A piece of stone jutting out of a wall to carry any superincumbent weight | Corbel | |
Palisade | Defensive fence or wall | |
Window projecting from a sloping roof | Dormer | |
Buttress with a separate pillar such that it forms an arch | Flying buttress | |
The portion of a wall (generally triangular) that supports the ends of two sloping roof pitches which meet at the top | Gable | |
Projecting waterspout, usually carved in the form of a grotesque monster (from the French for throat) | Gargoyle | |
The central piece at the apex (top) of an arch or vault, which keeps all the others in place | Keystone | |
Window with a pointed arch – named after a surgical instrument | Lancet | |
Paternoster (architecturally) is a type of | Lift (elevator) | |
Horizontal beam over a door or window | Lintel | |
Stored in a buttery (French bouteillerie) | Liquors (wines, ales) | |
An opening in the floor between corbels (in a castle) – used to drop things on attackers | Machicolation | |
Roof with two different gradients – the lower part being much steeper than the upper – named after the French architect who popularised it in the 17th century | Mansard roof | |
A low storey between two main storeys – known in French as an entresol | Mezzanine | |
Tower on a mosque | Minaret | |
Vertical divider between window units | Mullion | |
Buildings for drying hops – a familiar sight in Kent | Oast houses | |
Diagonal rib of a vault, or a pointed arch or window | Ogive (o–jive) | |
Form of bay window, popular in the Gothic revival, which projects from a wall but doesn’t reach the ground | Oriel window | |
The principal floor of a large house – particularly when it’s not the ground floor | Piano nobile | |
Round window with tracery of radiating compartments | Rose window | |
Circular room covered by a dome | Rotunda | |
The roughly triangular space between a curve and a rectangular border – e.g. at the top of an arch or around the face of a clock; also the space beneath a staircase | Spandrel | |
A newel is a post at the end of (or at a structurally significant point in) a | Staircase | |
The rise and the going are elements of a | ||
Brick laid lengthways | Stretcher | |
Supporting column in the form of a male statue (cf. Caryatid) | Telemon | |
Tunnel, groin, rib and fan are types of | Vault | |
Interwoven sticks covered with mud and clay to build walls and fences | Wattle and daub | |
A door or gate for the use of pedestrians – particularly when built into a larger door or into a wall or fence | Wicket (gate) | |
'Fenestration' is the arrangement of | Windows |
© Haydn Thompson 2017–24