This page is about specific quotations from poetry. You might be asked who wrote the line(s), or the title of poem
that they come from.
For questions of the type "Who wrote such–and–such a poem?", and other stuff about poets (including
poets laureate), see Poets.
For anything else that you might get asked about poetry (including terminology, poems and collections of poetry, and details
of the contents of poems), see Poetry.
Quotation |
| Title |
| Poet |
I sit in one of the dives
On Fifty–second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade: |
|
September 1, 1939 |
|
W. H. Auden |
Stop all the clocks, cut off the telephone
Prevent the dog from barking with a juicy bone |
|
Funeral Blues |
|
W. H. Auden |
This is the night mail crossing the border
Bringing the cheque and the postal order |
|
The Night Mail |
|
W. H. Auden |
Within the woodlands, flow'ry gladed, By the oak tree's mossy moot, |
|
My Orcha'd in Linden Lea |
|
William Barnes |
And there for me the apple tree Do lean down low in ... |
Red hair she had and golden skin
Her sulky lips were shaped for sin |
|
The Liquorice Fields at Pontefract |
|
John Betjeman |
Come friendly bombs, and fall on Slough
It isn't fit for humans now |
|
Slough |
|
John Betjeman |
Miss J. Hunter Dunn, Miss J. Hunter Dunn
Furnish'd and burnish'd by Aldershot sun |
|
A Subaltern's Love Song |
|
John Betjeman |
They shall not grow old as we that are left grow old
Age shall not wither them, nor the years decay |
|
For the Fallen |
|
Lawrence Binyon |
To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour
A Robin Red breast in a Cage
Puts all Heaven in a Rage |
|
Auguries of Innocence |
|
William Blake |
Tyger! tyger! burning bright
In the forests of the night
What immortal hand or eye
Dare frame thy fearful symmetry |
|
The Tyger |
|
William Blake |
Stands the church clock at ten to three, and is there
honey still for tea? |
|
The Old Vicarage, Grantchester |
|
Rupert Brooke |
An unofficial English rose ... |
If I should die, think only this of me:
That there's some corner of a foreign field
That is forever England |
|
The Soldier |
|
Rupert Brooke |
How do I love thee? Let me count the ways. |
|
Sonnet 43 |
|
Elizabeth Barrett Browning |
Oh, to be in England / Now that April's there |
|
Home Thoughts, from Abroad |
|
Robert Browning |
Hamelin Town's in Brunswick,
By famous Hanover city;
The river Weser, deep and wide
Washes its walls on the southern side ... (opening lines) |
|
The Pied Piper of Hamelin |
|
Robert Browning |
Rats!
They fought the dogs and killed the cats
And bit the babies in the cradles ... (second verse) |
Come in, the Mayor cried, looking bigger
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red ... (verse 5) |
The lark's on the wing; The snail's on the thorn: God's in his heaven–
All's right with the world! |
|
Pippa Passes |
|
Robert Browning |
Man's inhumanity to man / Makes countless thousands mourn |
|
Man was Made to Mourn |
|
Robert Burns |
O, my luve's like a red, red rose |
|
A Red, Red Rose |
|
Robert Burns |
Wee, sleekit, cowran, tim'rous beastie (first line) |
|
To a Mouse |
|
Robert Burns |
The best–laid schemes o mice an men Gang aft agley |
The Assyrian came down like a wolf on the fold |
|
The Destruction of Sennacherib |
|
Lord Byron |
The mountains look on Marathon And Marathon looks on the sea |
|
Don Juan |
|
Lord Byron |
And then there was champagne with foaming whirls As white as Cleopatra's melted pearls |
|
Don Juan |
|
Lord Byron |
She walks in beauty, like the night Of cloudless climes and starry skies |
|
She Walks in Beauty |
|
Lord Byron |
Where were the rapture then to clasp the form
From this lewd grasp and lawless contact warm? |
|
The Waltz |
|
Lord Byron |
So we'll go no more a–roving, so late into the night
Though the heart be still as loving, and the Moon be still so bright |
|
Well go no more a–roving |
|
Lord Byron |
'Twas brillig, and the slithy toves did gyre and gimble in the wabe |
|
Jabberwocky (from Through the Looking Glass) |
|
Lewis Carroll |
All mimsy were the borogroves And the mome raths outgrabe … |
… the jaws that bite, the claws that catch … and shun The frumious Bandersnatch! |
The sun was shining on the sea Shining with all its might (opening lines) |
|
The Walrus and the Carpenter |
With monstrous head and sickening cry / And ears like errant wings, / The devil's walking parody /
On all four–footed things. (Second verse) |
|
The Donkey |
|
G. K. Chesterton |
White founts falling in the courts of the Sun (First line) |
|
Lepanto |
Before the Roman came to Rye or out to Severn strode, / The rolling English drunkard made the rolling
English road. (First lines) |
|
The Rolling English Road |
By thy long grey beard and glittering eye, Now wherefore stopp'st thou me? |
|
The Rime of the Ancient Mariner |
|
Samuel Taylor Coleridge |
Water, water every where,
And all the boards did shrink;
Water, water every where,
Nor any drop to drink |
Alone, alone; all, all alone |
He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us
He made and loveth all |
At Xanadu did Kubla Khan
A stately pleasure–dome decree
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea |
|
Kubla Khan |
|
Samuel Taylor Coleridge |
A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid
And on her dulcimer she played
Singing of Mount Abora |
O for a closer walk with God
A calm and heavenly frame |
|
Olney Hymns, 1 |
|
William Cowper |
God moves in a mysterious way, his wonders to perform |
|
Olney Hymns, 35 |
|
William Cowper |
All hope abandon, ye who enter here |
|
Inferno |
|
Dante Alighieri |
What is this life if full of care
We have no time to stand and stare |
|
Leisure |
|
W. H. Davies |
Because I could not stop for Death
He kindly stopped for me
The Carriage held but just Ourselves
And Immortality |
|
Because I Could not Stop for Death |
|
Emily Dickinson |
Death be not proud, though some have called thee
Mighty and dreadful … |
|
Holy (Divine) Sonnet X |
|
John Donne |
Go, and catch a falling star / Get with child a mandrake root |
|
Song |
I am the love that dare not speak its name (last line) |
|
Two Loves |
|
Lord Alfred Douglas |
Beloved sweetheart bastard. Not a day since then / I haven't wished him dead |
|
Havisham (1993) |
|
Carol Ann Duffy |
Go placidly amidst the noise and haste (first line) |
|
Desiderata |
|
Max Ehrmann |
Let us go then, you and I
When the evening is spread out against the sky
Like a patient etherised upon a table (opening lines) |
|
The Love Song of Alfred J. Prufrock |
|
T. S. Eliot |
In the room the women come and go Talking of Michelangelo |
April is the cruellest month, breeding / Lilacs out of the dead land, mixing /
Memory and desire, stirring /
Dull roots with spring rain. (Opening lines) |
|
The Waste Land |
|
T. S. Eliot |
I will show you fear in a handful of dust |
Shantih shantih sahntih (last line; shantih is Sanskrit for "inner peace") |
The moving finger writes, and having writ moves on |
|
The Rubaiyat of Omar Khayyam |
|
(Edward Fitzgerald) |
The curfew tolls the knell of passing day
The lowly herd winds slowly oer the lea
The ploughman homeward plods his weary way
And leaves the world to darkness and to me |
|
Elegy written in a Country Churchyard |
|
Thomas Gray |
Far from the madding crowd's ignoble strife … |
The paths of glory lead but to the grave … |
Where ignorance is bliss, 'tis folly to be wise |
|
Ode on a Distant Prospect |
|
Thomas Gray |
The boy stood on the burning deck Whence all but he had fled. |
|
Casabianca |
|
Mrs. F. D. Heman |
My head is bloody, but unbowed |
|
Invictus |
|
William Ernest Henley |
I am the master of my fate / I am the captain of my soul (last two lines) |
Gather ye rosebuds while ye may: first line of |
|
To the Virgins, to make much of Time |
|
Robert Herrick |
His death, which happened in his berth
At forty–odd befell;
They went and told the sexton, and
The sexton toll'd the bell |
|
Faithless Sally Brown |
|
Thomas Hood |
I remember, I remember
The house where I was born
The little window where the sun
Came peeping in at morn |
|
I remember, I remember |
|
Thomas Hood |
No shade, no shine, no butterflies, no bees
No fruits, no flowers, no leaves, no birds – November! |
|
No! |
|
Thomas Hood |
Glory be to God for dappled things
For skies of couple–colour as a brinded cow (first line) |
|
Pied beauty |
|
Gerard Manley Hopkins |
Into my heart an air that kills
From yon far country blows:
What are those blue remembered hills,
What spires, what farms are those?
This is the land of lost content,
I see it shining plain,
The happy highways where I went
And cannot come again. |
|
|
A Shropshire lad |
|
A. E. Housman |
But since the man that runs away
Lives to die another day,
And cowards' funerals, when they come,
Are not wept so well at home |
Clunton and Clunbury,
Clungunford and Clun,
Are the quietest places
Under the sun. |
Drink to me only with thine eyes |
|
To Celia |
|
Ben Johnson |
Season of mists and mellow fruitfulness
Close bosom friend of the maturing sun |
|
Autumn |
|
John Keats |
A thing of beauty is a joy forever (first line) |
|
Endymion |
|
John Keats |
Deep in the shady sadness of a vale ... Sat gray–hair'd Saturn, quiet as a stone
(first and fourth lines) |
|
Hyperion |
|
John Keats |
Souls of poets dead and gone
What Elysium have ye known
Happy field or mossy cavern
Choicer than the Mermaid Tavern? |
|
Lines on the Mermaid Tavern |
|
John Keats |
Thou still unravish'd bride of quietness
Though foster–child of Silence and slow Time |
|
Ode on a Grecian Urn |
|
John Keats |
Beauty is truth, truth beauty – that is all
Ye know on earth, and all ye need to know |
|
Ode on a Grecian Urn |
|
John Keats |
My heart aches, and a drowsy numbness pains my sense As though of hemlock I had drunk (opening
lines) |
|
Ode to a Nightingale |
|
John Keats |
Thou wast not born for death, immortal bird |
O for a draught of vintage! that hath been
Cool'd a long age in the deep–delvèd earth |
Was it a vision, or a waking dream?
Fled is that music:—Do I wake or sleep? (ending of) |
I think that I shall never see
A poem lovely as a tree |
|
Trees |
|
Alfred Joyce Kilmer |
O East is East and West is West
And ne'er the twain shall meet. |
|
The Ballad of East and West |
|
Rudyard Kipling |
A woman is always a woman, but a good cigar is a smoke |
|
The Betrothed |
|
Rudyard Kipling |
The Female of the Species is more deadly than the Male |
|
The Female of the Species |
|
Rudyard Kipling |
Gentleman–rankers out on the spree
Damned from here to eternity |
|
Gentlemen–Rankers |
|
Rudyard Kipling |
Though I've belted you and flayed you
By the living Gawd that made you
You're a better man than I am … |
|
Gunga Din |
|
Rudyard Kipling |
If you can keep your head when all about you Are losing theirs and blaming it on you …
|
|
If |
|
Rudyard Kipling |
If you can meet with triumph and disaster
Ant treat those two impostors just the same ... |
If you can fill each unforgiving minute With sixty seconds worth of battle run
Yours is the world, and everything that's in it And what is more, you'll be a man my son. |
By the old Moulmein Pagoda, lookin' lazy at the sea There's a Burma girl a–settin'
an' I know she thinks o' me |
|
Mandalay |
|
Rudyard Kipling |
Ship me somewheres east of Suez, where the best is like the worst,
Where there aren't no Ten Commandments an' a man can raise a thirst;
For the temple–bells are callin', and it's there that I would be –
By the old Moulmein Pagoda, looking lazy at the sea |
Sexual intercourse began
In nineteen sixty–three
(which was rather late for me)
Between the end of the Chatterley ban
And the Beatles' first LP |
|
Annus Mirabilis |
|
Philip Larkin |
Last verse: So life was never better than / in 1963 ... (etc.) |
They (mess) you up, your Mum and Dad They may not mean to, but they do.
They fill you with the faults they had And add some extra, just for you. |
|
This Be the Verse |
|
Philip Larkin |
Give me your tired, your poor,
Your huddled masses yearning to breathe free |
|
The New Colossus |
|
Emma Lazarus |
I shot an arrow in the air
It fell to earth, I knew not where |
|
The Arrow and the Song |
|
Henry W. Longfellow |
On the shores of Gitchee Gumee,
On the dunes of Nagow Wudjoo |
|
Song of Hiawatha |
|
Henry W. Longfellow |
Under a spreading chestnut tree
The village smithy stands |
|
The Village Blacksmith |
|
Henry W. Longfellow |
There was a little girl
And she had a little curl
Right in the middle of her forehead. |
|
There was a little girl |
|
Henry W. Longfellow |
Listen my children and you shall hear
Of the midnight ride of Paul Revere |
|
Paul Revere's Ride |
|
Henry W. Longfellow |
Into each life some rain must fall |
|
The Rainy Day |
|
Henry W. Longfellow |
Stone walls do not a prison make
Nor iron bars a cage |
|
To Althea, from Prison |
|
Richard Lovelace |
I must go down to the seas again
To the lonely sea and the sky |
|
Sea Fever |
|
John Masefield |
Quinquereme of Nineveh, from distant Ophir,
Rowing home to haven in sunny Palestine,
With a cargo of ivory,
And apes and peacocks,
Sandalwood, cedarwood, and sweet white wine |
|
Cargoes |
|
John Masefield |
In Flanders Fields the poppies blow
Between the crosses, row on row (opening lines) |
|
In Flanders Fields |
|
John McCrae |
James James Morrison Morrison Weatherby George Dupree
Took great care of his mother, though he was only three |
|
Disobedience |
|
A. A. Milne |
Tomorrow to fresh woods and pastures new ... |
|
Lycidas |
|
John Milton |
When I consider how my light is spent ... |
|
On his Blindness |
|
John Milton |
They also serve who only stand and wait |
Wherefore with thee
Came not all Hell broke loose? |
|
Paradise Lost |
|
John Milton |
Eyless in Gaza at the Mill with slaves |
|
Samson Agonistes |
|
John Milton |
Candy is dandy
But liquor is quicker
(later added Pot is not) |
|
Reflections on icebreaking |
|
Ogden Nash |
There's a breathless hush in the close tonight
Ten to make and the match to win
A bumping pitch and a blinding light
An hour to play and the last man in |
|
Vitai Lampada |
|
Henry Newbolt |
Refrain: Play up! Play up! And play the game! |
Drakes in his hammock, till the great Armadas come Capten, art thou sleepen there below? |
|
Drakes drum |
|
Henry Newbolt |
Bent double, like old beggars under sacks,
Knock–kneed, coughing like hags, we cursed through sludge ... (opening lines) |
|
Dulce et Decorum Est |
|
Wilfred Owen |
The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor ... (opening lines) |
|
The Highwayman |
|
Alfred Noyes |
Once upon a midnight dreary, while I pondered, weak and weary
Over many a quaint and curious volume of forgotten lore— (opening line) |
|
The Raven |
|
Edgar Allan Poe |
How happy is the blameless vestal's lot!
The world forgetting, by the world forgot.
Eternal sunshine of the spotless mind!
Each pray'r accepted, and each wish resign'd... |
|
Eloisa to Abelard |
|
Alexander Pope |
Fools rush in where angels fear to tread |
|
|
An Essay on Criticism |
|
Alexander Pope |
A little learning is a dang'rous thing |
To err is human; to forgive, divine |
Know then thyself, presume not God to scan;
The proper study of Mankind is Man |
|
An Essay on Man |
|
Alexander Pope |
Hope springs eternal in the human breast |
Better by far that you should forget and smile
Than that you should remember and be sad |
|
Remember |
|
Christina Rossetti |
Oh, what a tangled web we weave
When first we practise to deceive! |
|
Marmion |
|
Walter Scott |
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate. Rough winds do shake the darling buds of May ... |
|
Sonnets, 18 |
|
William Shakespeare |
I summon up remembrance of things past |
|
Sonnets, 30 |
|
William Shakespeare |
How wonderful is Death Death, and his brother Sleep! |
|
The Daemon of the World |
|
Percy Bysshe Shelley |
O wild West wind, thou breath of Autumn's being (first line) |
|
Ode to the West Wind |
|
Percy Bysshe Shelley |
If Winter comes, can Spring be far behind? (last line) |
I met a traveller from an ancient land ... (first line) |
|
Ozymandias |
|
Percy Bysshe Shelley |
My name is Ozymandias, King of Kings; Look on my works, ye mighty, and despair! |
Hail to thee, blithe spirit! Bird thou never wert (opening lines) |
|
To a Skylark |
|
Percy Bysshe Shelley |
I come from haunts of coot and tern |
|
The Brook |
|
Alfred, Lord Tennyson |
Half a league, half a league, half a league onward
All in the valley of Death rode the six hundred …
|
|
The Charge of the Light Brigade |
|
Alfred, Lord Tennyson |
Theirs not to make reply, theirs not to reason why, theirs but to do and die ... |
Into the jaws of Death, into the mouth of Hell Rode the six hundred |
'tis better to have loved and lost Than never to have loved at all |
|
In Memoriam |
|
Alfred, Lord Tennyson |
… Nature, red in tooth and claw |
Kind hearts are more than coronets, / And simple faith than Norman blood. |
|
Lady Clara Vere de Vere |
|
Alfred, Lord Tennyson |
On either side the river lie / Long fields of barley and of rye … (opening lines) |
|
The Lady of Shalott |
|
Alfred, Lord Tennyson |
The mirror crack'd from side to side ... |
In the Spring a young man's fancy lightly turns to thoughts of love |
|
Locksley Hall |
|
Alfred, Lord Tennyson |
The splendour falls on castle walls And snowy summits old in story |
|
The Princess |
|
Alfred, Lord Tennyson |
Now as I was young and easy, under the apple boughs |
|
Fern Hill |
|
Dylan Thomas |
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light |
|
(Same as first line) |
|
Dylan Thomas |
And for that minute a blackbird sang / Close by, and round him, mistier, / Farther and farther, all the birds /
Of Oxfordshire and Gloucestershire (last verse) |
|
Adlestrop |
|
Edward Thomas |
For the hand that rocks the cradle is the hand that rules the world (refrain) |
|
What Rules the World |
|
William Ross Wallace |
Laugh, and the world laughs with you; Weep, and you weep alone. (Opening lines) |
|
Solitude |
|
Ella Wheeler Wilcox |
He did not wear his scarlet coat For blood and wine are red (opening lines) |
|
The Ballad of Reading Gaol |
|
Oscar Wilde |
Not a drum was heard, not a funeral note
As his corpse to the rampart we hurried;
Not a soldier discharged his farewell shot
O'er the grave where our hero we buried |
|
The Burial of Sir John Moore after Corunna |
|
Charles Wolfe |
I wandered lonely as a cloud
That floats on high o'er vales and hills
When all at once I saw a crowd,
A host, of golden daffodils |
|
I Wandered Lonely as a Cloud
(a.k.a. Daffodils) |
|
William Wordsworth |
My heart leaps up when I behold A rainbow in the sky |
|
My Heart Leaps Up when I Behold |
|
William Wordsworth |
The child is father of the man |
Bliss was it in that dawn to be alive,
But to be young was very heaven! |
|
The Prelude |
|
William Wordsworth |
I've measured it from side to side
'Tis three feet long and two feet wide |
|
The Thorn |
|
William Wordsworth |
Shall I call thee Bird / Or but a wandering Voice? |
|
To the Cuckoo |
|
William Wordsworth |
Earth has not anything to show more fair |
|
Upon Westminster Bridge |
|
William Wordsworth |
Dull would he be of soul who could pass by A sight so touching in its majesty |
Wine comes in at the mouth
And love comes in at the eye;
That's all we shall know for truth
Before we grow old and die.
I lift the glass to my mouth,
I look at you, and I sigh. |
|
A Drinking Song |
|
W. B. Yeats |
I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate,
Those that I guard I do not love |
|
An Irish Airman Foresees His Death |
|
W. B. Yeats |
I will arise and go now, and go to Innisfree |
|
The Lake Isle of Innisfree |
|
W. B. Yeats |
That is no country for old men. The young In one another's arms, birds in the trees (opening
lines) |
|
Sailing to Byzantium |
|
W. B. Yeats |