Poetry
For questions where you're given the title of a poem, and asked who wrote it – and other stuff about poets (including poets laureate)
– see Poets.
For questions where you're given a quotation from a poem, and asked for the title and/or who wrote it, see Poems.
This page is intended to cover everything else that you might get asked about poetry. It includes poetical terminology, questions about poems
themselves and collections of poetry), and the details of the words of poems.
It starts with some numbers, and then deals with two famous poems that are perennial favourites with question setters.
Numbers
Lines in a haiku |
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3 |
Lines in a clerihew |
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4 |
Lines in a limerick |
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5 |
Lines in a sonnet |
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14 |
Syllables in a haiku |
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17 |
The Song of Hiawatha (Longfellow)
Any of these questions might be asked the other way round. For example: "Which title character of a famous poem had a name that
meant "He makes rivers?"
Hiawatha means |
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He makes rivers |
Hiawatha married |
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Minniehaha |
Minniehaha means |
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Laughing Water |
Hiawatha's mother |
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Wenonah |
Hiawatha's father (Mudjekeewis) was |
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The west wind |
Hiawatha's grandmother ("Daughter of the Moon") |
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Nokomis |
Tribe on whose legends Longfellow based his poem |
|
Ojibwa (pl. Ojibwe) |
Lake beside which Hiawatha lives |
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Gitchee Gumee |
English name of Gitchee Gumee |
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Lake Superior |
Tam o'shanter (Burns)
Title character escapes from a chasing crowd of warlocks and witches, by riding his horse across a stream
(witches can't cross running water) |
|
Tam o'shanter |
A "cutty–sark" (as described in Tam o'shanter) is (in English)
|
|
A short underskirt |
Name of the witch (a "winsome wench and waulie") that wears the "cutty–sark" –
and nearly catches Tam as he flees for his life, only managing to grab the tail of his trusty mount |
|
Nannie |
Name of Tam's trusty grey mare |
|
Maggie (or Meg) |
Souter (cobbler) Johnny was the "ancient, trusty, drouthy (thirsty) crony" of |
|
Tam o'shanter |
The town that "ne'eer a town surpasses / for honest men and bonnie lasses" (according to Burns in
Tam o' Shanter) – giving the football team its nickname (the Honest Men) |
|
Ayr |
The Owl and the Pussycat (Edward Lear)
Colour of the boat that they went to sea in |
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Pea green |
They wrapped their money (and possibly also their honey) in |
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A five pound note |
They sailed away for |
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A year and a day |
Tree that grew in the land that they sailed to |
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Bong tree |
Sold them his ring |
|
Pig (piggy–wig) |
The piggy–wig kept his ring |
|
At the end of his nose |
Cost of the ring |
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One shilling |
Creature (that lived on the hill) by which they were married |
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Turkey |
They dined on |
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Mince |
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... and slices of quince |
Type of spoon that they ate their quince and mince with (word coined by Lear) |
|
Runcible |
Terminology
Metric Feet
A 'metric foot' is a basic repeating rhythmic unit that forms part of a line.
Stressed syllables are also known as heavy or long syllables. Unstressed syllables are also known as light or short syllables.
One stressed syllable followed by two unstressed ones ('tum–ti–ti') |
|
Dactyl |
One stressed syllable followed by one unstressed one ('tum–ti') |
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Iamb |
Two stressed syllables ('tum–'tum) |
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Trochee (or choree, or choreus) |
One unstressed syllable followed by one stressed one ('ti–'tum) |
|
Trochee (or choree, or choreus) |
Other
Poetry that doesn't rhyme |
|
Blank verse |
An irregular form of humorous biographical verse, invented by the popular English
novelist E. C. Bentley (1875–1956), when still at school, and given his middle name |
|
Clerihew |
A mournful or plaintive poem or song – especially a lament for the dead – most famously used
in the title of Thomas Gray's best–known poem |
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Elegy |
Word describing a poem that depicts agriculture or rural life – originally the second major work
by the Latin poet Virgil, written after the Eclogues and before the Aeneid |
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Georgic |
Japanese mode of poetry with three lines of 5, 7 and 5 syllables respectively (total 17). (Strictly 17
morae, a Japanese phonetic unit which only partially corresponds to the syllable of languages such as English.) Developed from the older
hokku form in the late 19th century by Masaoka Shiki |
|
Haiku |
Form of verse, popularised in the 19th century (by Edward Lear among others) and first given this name in 1880 in
a New Brunswick newspaper |
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Limerick |
The art of versification and the study of poetic metre, rhyme etc. (but sounds as if it's about any
writing other than poetry!) |
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Prosody |
A collection of verses in a Persian form of four–line stanzas – best known in the Western world through
one particular example |
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Rubaiyat |
Poetic form with 19 lines – 5 stanzas of 3 lines each, and one of 4; rhyming scheme ABA, ABAA (A
and B the same in each stanza). Introduced to English from French in the 19th century, an example is Dylan Thomas's Do Not Go Gentle
Into That Good Night (1951) |
|
Villanelle |
Titles
Wordsworth (first line and title): 'My heart leaps up when I behold ... |
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A rainbow in the sky' |
Work by Shelley, read by Mick Jagger in Hyde Park, 1969, in memory of Brian Jones |
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Adonis |
Title used by Dryden (for 1666) and Larkin (for 1963) |
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Annus Mirabilis |
Written in 1927 by Max Ehrmann; became famous after being found at the deathbed of Adlai Stevenson in
1965; long thought to date from 1692 (which was in fact the foundation date of a church in Maryland whose rector included it in a compilation) |
|
Desiderata |
Written by W. B. Yeats, in "an attempt to reconstruct an old song from three lines imperfectly
remembered by an old peasant woman in the village of Ballisodare, Sligo". Published in 1889 and set to music by the Irish composer and
folk song collector Herbert Hughes in 1909, it has long been a standard in the Irish folk song repertoire |
|
Down by the Salley Gardens |
Poem by Keats, based on the Greek myth of a beautiful young shepherd loved by the Moon goddess Selene |
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Endymion |
Stoke Poges, Buckinghamshire, is the setting for |
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Gray's Elegy |
Far from the Madding Crowd (Thomas Hardy) and Paths of Glory
(Humphrey Cobb – the source for Kubrick's film): titles came from |
First published in 1876: described on its title page as "an Agony in Eight Fits" |
|
The Hunting of the Snark (Lewis Carroll) |
Epic poem by Keats, telling of the despair of the Titans after their fall to the Olympians; title is the name of one
of them, who was the father of Helios |
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Hyperion |
Work by Kipling, voted Britain's most popular poem, in a BBC poll in 1995 |
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If |
Popular poem by Canadian officer John McCrae, evoking the desolation of WWI battlefields – written
in May 1915, published in Punch in December 1915 |
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In Flanders Fields |
Common name for William Blake's 1808 poem And Did Those Feet in Ancient Time (includes the
phrases "dark satanic mills", "chariot of fire", and "England's green and pleasant land") – set to music
in 1916 by Sir Hubert Parry |
|
Jerusalem |
Composition was curtailed, according to its author (Samuel Taylor Coleridge) when his reverie was interrupted by
"a person from Porlock" |
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Kubla Khan |
Thomas Moore's epic poem (1817) about India and Kashmir |
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Lalla Rookh |
Poem by George Meredith that inspired a Vaughan Williams fantasia |
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The Lark Ascending |
Poem by William Barnes, set to music by Vaughan Williams in 1901 (his first published work) |
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My Orcha'd in Linden Lea |
Famous sonnet by Shelley, believed to refer to Ramesses II of Egypt (its title is his Greek name):
opening line "I met a traveller from an ancient land ... " |
|
Ozymandias |
Work by Milton: took seven years to write, first published in ten volumes in 1667; sold to publisher
Samuel Simmons for £5, with a further £5 once 1,300 copies had been sold and a third £5 if the second 1,300 copies were sold
(in the earliest surviving publishing contract) |
|
Paradise Lost |
Allegorical narrative poem, written between 1370 and 1390 – one of the greatest works of English Literature
from the Middle Ages; attributed to William Langland, of whom nothing else is known |
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Piers Plowman |
Late 14th–century Middle English chivalric romance: one of the best–known Arthurian stories,
begins in Camelot on New Year's Day. By an unknown poet known as 'the Pearl Poet' |
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Sir Gawain and the Green Knight |
Work by T. S. Eliot, in five parts: The Burial of the Dead, A Game of Chess, The Fire Sermon,
Death by Water, What the Thunder Said |
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The Waste Land |
Collections
Ted Hughes's 1998 book, posthumous winner of Whitbread Book of the Year (1999) |
|
The Birthday Letters |
Hilaire Belloc's 1907 collection for children: eleven stories (in verse) about children who misbehaved and
got their just deserts: e.g. Jim, who ran away from his nurse and was eaten by a lion and Matilda, who told lies and was burned
to death |
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Cautionary Tales |
Tennyson's series of twelve narrative poems on Arthurian themes (1859–85): retells the legend of King
Arthur, his knights, his love for Guinevere and her tragic betrayal of him, and the rise and fall of Arthur's kingdom |
|
Idylls of the King |
Life's work of US poet Walt Whitman, first published
in 1855 and constantly revised until his death in 1892; controversial at the time for its overt sexuality |
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Leaves of Grass |
1798: collection by Wordsworth, with a few by Coleridge including The Rime of the Ancient Mariner;
said to mark the beginning of the English Romantic movement |
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Lyrical Ballads |
(The) Rum Tum Tugger, the Jellicles, Mungojerrie and Rumpelteazer, Old Deuteronomy (patriarch of the Jellicles),
Mr. Mistoffeles, Macavity (the Mystery Cat), Gus (the Theatre Cat), Bustopher Jones (the Cat About Town), Skimbleshanks (the Railway Cat):
all appear in |
|
Old Possum's book of Practical Cats |
Collection of "experimental prose poetry" by Bob Dylan, first published (apparently without his consent)
in 1966 |
|
Tarantula |
Details
Shot by Coleridge's Ancient Mariner (and hung around his neck) |
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Albatross |
The sacred river that flows through Xanadu (the palace of Kubla Khan), in Coleridge's poem |
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Alph |
The title character stops a man ("one of three") on his way to a wedding feast, to tell him his tale;
Life–in–Death wins his life in a game of dice with Death (who wins those of his fellow crew members)
|
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Ancient mariner |
Body of water named in Edward Lear's The Pobble Who Has No Toes as the one he was swimming across when
he lost his toes (nobody knew how) |
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Bristol Channel |
Hunting of the Snark (Lewis Carroll): variety of the Snark, when they finally caught it |
|
Boojum |
Subject of the first clerihew: " ... abominated gravy / He lived in the odium /
Of having discovered sodium" |
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Sir Humphry Davy |
Edward Lear character: "was happy and gay, till he fell in love with a Jumbly Girl" |
|
The Dong (with a Luminous Nose) |
Wrecked on the reef of Norman's Woe (in a poem by Longfellow)
|
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The Hesperus |
Had "jaws that bite, claws that catch"; slain with a "vorpal blade", which "went
snicker–snack" (Lewis Carroll) |
|
The Jabberwock |
Edward Lear: "their heads are green and their hands are grey, and they went to sea in a sieve" |
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The Jumblies |
The last and best–known line from the 1899 poem Sympathy, by the African–American writer Paul
Laurence Dunbar |
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I know why the caged bird sings! |
Tennyson: Excalibur was given to Arthur by |
|
The Lady of the Lake |
Walt Whitman's O Captain! My Captain! is a lament for (historical figure) |
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Abraham Lincoln |
1798 battle described in the poem Casabianca ("The boy stood on the burning deck … ") |
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The Nile (Aboukir Bay) |
From T. S. Eliot's Book of Practical Cats: described as "patriarch of the Jellicles";
"[he's] buried nine wives ... And his numerous progeny prospers and thrives" |
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Old Deuteronomy |
Dante's Inferno (Part I of the Divine Comedy): "All hope abandon, ye who enter here" |
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Over the gates of Hell |
Word invented by Milton (in Paradise Lost) for the capital of Hell |
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Pandæmonium |
The Masque of Anarchy – described (by Wikipedia) as "perhaps the first modern statement of the principle of nonviolent resistance" was written by
Shelley in response to |
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Peterloo Massacre |
Referred to by Kipling as "the widow at Windsor" (in the title of
one of his Barrack–Room Ballads, first
published in 1892) |
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Queen Victoria |
Opening word of John Masefield's Cargoes (1903): defined by
dictionary.com as "an ancient Roman galley with five banks
of oars on each side" |
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Quinquireme |
From T. S. Eliot's Book of Practical Cats: a.k.a. the Railway Cat; "Every now and then
he has a cup of tea / With perhaps a drop of Scotch while he's keeping on the watch" |
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Skimbleshanks |
John Betjeman: "Come friendly bombs, and fall on ... " |
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Slough |
The Rape of the Lock (Pope): the lock ends up as a |
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Star |
The main subject of Milton's Paradise Regained (1671) is |
|
The temptation of Christ |
John Gay's 1716 burlesque poem, loosely based on the Satires of the Latin poet Juvenal
(active in the late 1st and early 2nd century AD), subtitled The Art of Walking the Streets of London – named after the Roman
goddess of crossroads |
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Trivia |
Barrack Room Ballads (Kipling): Gunga Din's occupation |
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Water carrier |
River in which the Pied Piper drowned the rats (according to Browning) |
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Weser |
© Haydn Thompson 2017–24