This page is concerned with questions that are specifically about poets – including poets laureate and who wrote what poem.
For anything else that you might get asked about poetry (including terminology, poems and collections of poetry, and details of
the contents of poems), see Poetry.
In 1995 the BBC conducted a poll to find the UK's 100 favourite poems. Seems to me that any serious quizzer should be able to name the
author of any one of these (although I can't say I could myself, before I made the effort to learn them); so here they are.
1 |
If ("If you can keep your head when all about you / Are
losing theirs and blaming it on you") |
1910 |
|
Rudyard Kipling |
2 |
The Lady of Shalott |
1833 |
|
Alfred, Lord Tennyson |
3 |
The Listeners ("'Is there anybody there?' said the Traveller / Knocking on the moonlit door") |
1912 |
|
Walter de la Mare |
4 |
Not Waving but Drowning |
1957 |
|
Stevie Smith |
5 |
The Daffodils (a.k.a. I Wandered Lonely As a Cloud) |
1804 |
|
William Wordsworth |
6 |
To Autumn ("Season of mists and mellow fruitfulness") |
1819 |
|
John Keats |
7 |
The Lake Isle of Innisfree |
1888 |
|
W. B. Yeats |
8 |
Dulce et Decorum Est |
1817 |
|
Wilfred Owen |
9 |
Ode to a Nightingale |
1819 |
|
John Keats |
10 |
Aedh (ee or ay) Wishes for the Cloths of Heaven |
1899 |
|
W. B. Yeats |
11 |
Remember ("Remember me when I am gone away ... ") |
1849 |
|
Christina Rossetti |
12 |
Elegy Written in a Country Churchyard |
1750 |
|
Thomas Gray |
13 |
Fern Hill ("Now as I was young and easy under the apple boughs") |
1945 |
|
Dylan Thomas |
14 |
Leisure ("What is this life if full of care / We have no time to stand and stare") |
1911 |
|
W. H. Davies |
15 |
The Highwayman |
1906 |
|
Alfred Noyes |
16 |
To His Coy Mistress |
1650 |
|
Andrew Marvel |
17 |
Dover Beach |
1851 |
|
Matthew Arnold |
18 |
The Tyger ("Tyger! Tyger! burning bright / In the forests of the night ") |
1794 |
|
William Blake |
19 |
Stop All the Clocks |
1936 |
|
W. H. Auden |
20 |
Adlestrop ("Yes. I remember Adlestrop ... ") |
1914 |
|
Edward Thomas |
21 |
The Soldier ("If I should die, think only this of me ... ") |
1914 |
|
Rupert Brooke |
22 |
Warning ("When I am an old woman I shall wear purple") |
1961 |
|
Jenny Joseph |
23 |
Sea–Fever |
1902 |
|
John Masefield |
24 |
Upon Westminster Bridge ("Earth has not anything to show
more fair") |
1802 |
|
William Wordsworth |
25 |
Sonnets from the Portuguese XLIII ("How Do I Love Thee?") |
1845 |
|
Elizabeth Barrett Browning |
26 |
The Love Song of Alfred J. Prufrock |
1910 |
|
T. S. Eliot |
27 |
Cargoes |
1903 |
|
John Masefield |
28 |
Jabberwocky |
1871 |
|
Lewis Carroll |
29 |
The Rime of the Ancient Mariner |
1797 |
|
Samuel Taylor Coleridge |
30 |
Ozymandias of Egypt |
1818 |
|
Percy Bysshe Shelley |
31 |
Stopping by Woods on a Snowy Evening |
1922 |
|
Robert Frost |
32 |
Abou Ben Adhem ("Abou Ben Adhem – may his tribe increase! / Awoke one night from a deep dream of peace") |
1838 |
|
Leigh Hunt |
33 |
Everyone Sang (about the end of World War I) |
1919 |
|
Siegfried Sassoon |
34 |
The Windhover |
1918 |
|
Gerard Manley Hopkins |
35 |
Do Not Go Gentle Into That Good Night |
1951 |
|
Dylan Thomas |
36 |
Sonnet 18 ("Shall I compare thee to a summer's day?") |
1609 |
|
William Shakespeare |
37 |
When You Are Old |
1893 |
|
W. B. Yeats |
38 |
Naming of Parts – from Lessons of the War (to Alan Mitchell) |
1942 |
|
Henry Reed |
39 |
The Darkling Thrush |
1899 |
|
Thomas Hardy |
40 |
Please Mrs. Butler |
1983 |
|
Allan Ahlberg |
41 |
Kubla Khan |
1797 |
|
Samuel Taylor Coleridge |
42 |
Home–Thoughts, From Abroad ("Oh, to be in England /
Now that April's there") |
1845 |
|
Robert Browning |
43 |
High Flight (An Airman's Ecstasy) |
1941 |
|
John Gillespie Magee |
44 |
Journey of the Magi |
1927 |
|
T. S. Eliot |
45 |
The Owl and the Pussy–Cat |
1871 |
|
Edward Lear |
46 |
The Glory of the Garden |
1911 |
|
Rudyard Kipling |
47 |
The Road Not Taken |
1915 |
|
Robert Frost |
48 |
The Way Through the Woods |
1910 |
|
Rudyard Kipling |
49 |
Anthem for Doomed Youth ("What passing-bells for these
who die as cattle?") |
1917 |
|
Wilfred Owen |
50 |
Bloody Men ("Bloody men are like bloody buses ... ") |
1987 |
|
Wendy Cope |
51 |
Emmonsail's Heath in Winter |
1828 |
|
John Clare |
52 |
La Figlia Che Piange |
1917 |
|
T. S. Eliot |
53 |
The Whitsun Weddings |
1964 |
|
Philip Larkin |
54 |
The Ballad of Reading Gaol |
1897 |
|
Oscar Wilde |
55 |
I Remember, I Remember ("I remember, I remember / The
house where I was born") |
1844 |
|
Thomas Hood |
56 |
This Be the Verse |
1971 |
|
Philip Larkin |
57 |
Snake |
1923 |
|
D. H. Lawrence |
58 |
The Great Lover |
1914 |
|
Rupert Brooke |
59 |
A Red, Red Rose |
1794 |
|
Robert Burns |
60 |
The Sunlight on the Garden |
1936 |
|
Louis MacNeice |
61 |
The Old Vicarage, Grantchester |
1912 |
|
Rupert Brooke |
62 |
Diary of a Church Mouse |
1975 |
|
John Betjeman |
63 |
Silver |
1913 |
|
Walter de la Mare |
64 |
Pied Beauty ("Glory be to God for dappled things") |
1877 |
|
Gerard Manley Hopkins |
65 |
Prayer Before Birth ("I am not yet born; O hear me ... ") |
1944 |
|
Louis MacNeice |
66 |
Macavity: The Mystery Cat |
1939 |
|
T. S. Eliot |
67 |
Afterwards |
1917 |
|
Thomas Hardy |
68 |
The Donkey (" ... The Devil's walking parody / on all four–footed things") |
1927 |
|
G. K. Chesterton |
69 |
My Last Duchess |
1842 |
|
Robert Browning |
70 |
Christmas ("The bells of waiting Advent ring ... ") |
1954 |
|
John Betjeman |
71 |
The Thought–Fox |
1957 |
|
Ted Hughes |
72 |
Preludes ("The winter evening settles down / With smell of steaks in passageways") |
1911 |
|
T. S. Eliot |
73 |
Love (III) ("Love bade me welcome; yet my soul drew back
/ Guilty of dust and sin") |
1633 |
|
George Herbert |
74 |
The Charge of the Light Brigade |
1854 |
|
Alfred, Lord Tennyson |
75 |
I Am! ("I am: yet what I am none cares or knows") |
1845 |
|
John Clare |
76 |
The Hound of Heaven |
1893 |
|
Francis Thompson |
77 |
The Passionate Shepherd to his Love ("Come live with me
and be my Love") |
1599 |
|
Christopher Marlowe |
78 |
The Song of Wandering Aengus ("I went out to the hazel
wood / Because a fire was in my head") |
1897 |
|
W. B. Yeats |
79 |
She Walks in Beauty |
1814 |
|
George Gordon, Lord Byron |
80 |
Loveliest of Trees, the Cherry Now |
1895 |
|
A. E. Housman |
81 |
The Flea ("Marke but this flea, and marke in this ... ") |
1595 |
|
John Donne |
82 |
Ducks (" ... All God's jokes are good - even the
practical ones!") |
1919 |
|
F. W. Harvey |
83 |
An Arundel Tomb ("Side by side, their faces blurred / The
earl and countess lie in stone") |
1956 |
|
Philip Larkin |
84 |
Sonnet 116 ("Let me not to the marriage of true minds
/ Admit impediments") |
1609 |
|
William Shakespeare |
85 |
Ulysses (last line: "To strive, to seek, to find, and not
to yield") |
1833 |
|
Alfred, Lord Tennyson |
86 |
Snow (last line: "There is more than glass between the
snow and the roses") 1935 |
1935 |
|
Louis MacNeice |
87 |
Let Me Die a Youngman's Death |
1967 |
|
Roger McGough |
88 |
The Ruined Maid |
1866 |
|
Thomas Hardy |
89 |
Toilet ("I wonder will I speak to the girl / Sitting
opposite me on this train") |
|
|
Hugo Williams |
90 |
Futility ("Move him into the sun ... If anything might
rouse him now / The kind onld sun will know") |
1918 |
|
Wilfred Owen |
91 |
The Raven ("Quoth the Raven, 'Nevermore'") |
1845 |
|
Edgar Allan Poe |
92 |
Tam o'Shanter |
1790 |
|
Robert Burns |
93 |
Love's Philosophy (ends: "What are all these kissings
worth / If thou kiss not me?") |
1819 |
|
Percy Bysshe Shelley |
94 |
The Song of Hiawatha |
1855 |
|
H. W. Longfellow |
95 |
God's Grandeur ("The world is charges with the
Grandeur of God") |
1877 |
|
Gerard Manley Hopkins |
96 |
Chocolate Cake (I love chocolate cake / And when I was a
boy / I loved it even more") |
1983 |
|
Michael Rosen |
97 |
Jenny Kissed Me |
1838 |
|
Leigh Hunt |
98 |
Blackberry–Picking |
1966 |
|
Seamus Heaney |
99 |
The Prelude |
1850 |
|
William Wordsworth |
100 |
Warming Her Pearls |
1987 |
|
Carol Ann Duffy |
Q: Who wrote the poem(s) ... ? |
|
A: |
On the Pulse of Morning (read by the poet at Bill Clinton's inauguration, 1993); Phenomenal Woman:
Four Poems Celebrating Women (collection, 1995 – including the title poem) |
|
Maya Angelou |
Night Mail (1936), In Memory of W. B. Yeats (1940), The Age of Anxiety (1948), The Shield of Achilles (1952) |
|
W. H. Auden |
Funeral Blues (1936–8 – read by John Hannah at the funeral in Four Weddings and
a Funeral) – sometimes known by its first line, "Stop all the clocks" |
I Wish I'd Looked After Me Teeth |
|
Pam Ayres |
Les fleurs du mal (Flowers of evil – 1857, French poet) |
|
Guy de Baudelaire |
The Bad Child's Book of Beasts, Cautionary Tales |
|
Hilaire Belloc |
Metroland; Joan Hunter Dunn (1915–2008) was a muse to |
|
John Betjeman |
Words to Jerusalem ("And did those feet ... "); Visions of the Daughters of Albion,
Songs of Innocence and Experience, The Marriage of Heaven and Hell |
|
William Blake |
The Pied Piper of Hamelin, How they Brought the Good
News from Ghent to Aix, Pauline, My Last Duchess; Home Thoughts, From
Abroad; Childe Roland to the Dark Tower Came (1852 – inspired by lines from
King Lear) |
|
Robert Browning |
Paracelsus (a five–part epic poem based on the life
of the eponymous Swiss physician, alchemist, lay theologian, and philosopher
of the German renaissance) |
Holy Willie's Prayer, Auld Lang Syne, Address to a Haggis, To a Mouse |
|
Robert Burns |
Don Juan, Childe Harold's Pilgrimage |
|
Lord Byron |
7th–century herdsman from Whitby, often said to have been the first English poet |
|
Cædmon caedmon |
Parlement of Foules – a.k.a. Parlement of Briddes (Parliament of Birds), Assemble of Foules (Assembly of Fowls),
or Parliament of Fowls – containing one of the earliest references to the idea that St. Valentine's Day is a special day for lovers |
|
Geoffrey Chaucer |
Poems Descriptive of Rural Life and Scenery (1829); The Village Minstrel (1821); The Shepherd's
Calendar (1827); The Rural Muse (1835): collections by |
|
John Clare |
Gaberdine Angus, Beasley Street, Evidently Chickentown – all recorded on the 1980 album Snap, Crackle &
Bop |
|
John Cooper Clarke |
Let Us Compare Mythologies (1956 – his first collection); The Flame (a collection published
posthumously in 2018) |
|
Leonard Cohen |
Revolting Rhymes (1982) is a collection of six poems, each a parody of a popular fairy tale, by |
|
Roald Dahl |
The Divine Comedy (1300–21) |
|
Dante Alighieri |
Walking Away (1962 – in which a parent remembers a time, eighteen years ago during a game of football,
when they realised that their child was growing independent) |
|
Cecil Day–Lewis |
Songs of Childhood: written under the pseudonym Walter Ramal, by |
|
Walter de la Mare |
Because I Could Not Stop for Death (published posthumously in 1886, the year of her death) |
|
Emily Dickinson |
"Gone with the wind" and "the days of wine and roses" are quotations from (English
poet, 1867–1900; titles are Latin quotations from Horace and too hard for quizzes!) |
|
Ernest Dowson |
Regarded as the chief exponent of heroic tragedy; major works include the tragedy All for Love,
the satire Absalom and Achitophel, the Essay of Dramatick Poesie, Song for St. Cecilia's Day, and Annus Mirabilis
(about 1666, the war with the Dutch and the Great Fire of London) – see above under Poets Laureate |
|
John Dryden |
The Waste Land; The Love Song of J. Alfred Prufrock; The Four Quartets; Ash Wednesday; Old Possum's
Book of Practical Cats |
|
T. S. Eliot |
Rubaiyat of Omar Khayyam: translated into English by |
|
Edward Fitzgerald |
The Road Not Taken, Birches (in the 1916 collection Mountain Interval) |
|
Robert Frost |
The Bab Ballads (Fun magazine, 1861) |
|
W. S. Gilbert |
Elegy Written in a Country Churchyard (1751) |
|
Thomas Gray |
Neutral Tones (1898), The Darkling Thrush (1901), The Ruined Maid (1901), The Respectable Burgher (1901),
The Man he Killed (1902), A Trampwoman's Tragedy (1903), The Dynasts (a three–part "verse drama" – not intended to be
staged – 1904–8), The Convergence of the Twain (1915), The Blinded Bird (1916) |
|
Thomas Hardy |
The Wreck of the Deutschland (1875–6, dedicated to five nuns who died in the wreck),
The Windhover (1877, dedicated "to Christ our Lord") – both pub. 1918 |
|
Gerard Manley Hopkins |
A Shropshire Lad (cycle of 63 poems, published 1896) |
|
A. E. Housman |
The Hawk in the Rain (1957) was the highly–acclaimed first collection published by |
|
Ted Hughes |
The Thought–Fox (included in the above) was the first poem written by |
1998 collection The Birthday Letters won the
Whitbread Book of the Year prize posthumously in 1999 (he died in October
1998) |
Endymion; Ode to Autumn; Ode on a Grecian Urn; Ode to a Nightingale; Lines on the Mermaid Tavern;
Hyperion; On the Grasshopper and the Cricket; The Eve of St. Agnes |
|
John Keats |
Barrack Room Ballads – including Mandalay, Gunga Din; If; The Female of the Species |
|
Rudyard Kipling |
The Piers Plowman poems |
|
William Langland |
The North Ship (1945) was the first collection published by |
|
Philip Larkin |
The Whitsun Weddings, Church Going |
The Mosquito, Bavarian Gentians, Innocent England |
|
D. H. Lawrence |
English writer, popularised the limerick in his Book of Nonsense (1846); wrote The Pobble who Had No Toes,
The Dong with the Luminous Nose, The Owl and the Pussycat |
|
Edward Lear |
Jenny Kissed Me (1838), Abou Ben Adhem |
|
(James Henry) Leigh Hunt |
Hyperion (1839), Excelsior, The Village Blacksmith, The Wreck of the Hesperus (all 1841), Evangeline (1847),
The Song of Hiawatha (1855), Paul Revere's Ride (1860) |
|
Henry W. Longfellow |
Famous lamentation for the Tay Bridge railway disaster |
|
William McGonagall |
The Earth Compels, Plant and Phantom, Snow, Bagpipe Music, Autumn Journal |
|
Louis MacNiece |
Le Morte d'Arthur |
|
Thomas Malory |
To His Coy Mistress, Upon Appleton House, The Garden, An Horatian Ode upon Cromwell's Return from
Ireland, Flecknoe, The Character of Holland |
|
Andrew Marvell |
Salt–Water Poems and Ballads (1916) – including Sea–Fever and
Cargoes, two of his best–known works – was the first collection published by |
|
John Masefield |
Reynard the Fox (1920) – a narrative poem |
Modern Love (1862, collection), The Lark Ascending (1881) |
|
George Meredith |
Silly Verse for Kids (1959): including (possibly in a later edition?) On the Ning Nang Nong
– voted in 2004 as Britain's favourite comic poem |
|
Spike Milligan |
Wrote about James James Morrison Morrison Wetherby George Dupree |
|
A. A. Milne |
Paradise Lost, Paradise Regained; Comus (masque), Lycidas (elegy), Samson Agonistes (verse drama) |
|
John Milton |
'Twas the Night Before Christmas |
|
Clement C. Moore |
Admirals All, Drake's Drum, The Fighting Temeraire, Vitaï Lampada |
|
Henry Newbolt |
Author of the poem that inspired Elgar's Dream of Gerontius |
|
Cardinal (John Henry) Newman |
The Highwayman |
|
Alfred Noyes |
The Dead–Beat, Arms and the Boy, Anthem for Doomed Youth, Dulce et Decorum Est |
|
Wilfred Owen |
Enough Rope (1926), Sunset Gun (1928), Death and Taxes (1931) – collections |
|
Dorothy Parker |
Lady Lazarus, Blackberrying, Daddy; collections The Colossus and Other Poems (1960), Ariel (1965) |
|
Sylvia Plath |
The Haunted Palace (1839); The Raven (1845: "Quoth the Raven, 'Nevermore'")
|
|
Edgar Allan Poe |
An Essay on Criticism (1711), The Rape of the Lock (1712), The Dunciad (three versions, 1728–43) |
|
Alexander Pope |
The Cantos – a sequence of poems incorporating mythology, history, politics, economics and
autobiography – was the life's work of (US–born poet – left unfinished when he died in 1972 aged 87) |
|
Ezra Pound |
Buried manuscripts with his wife, then dug them up again |
|
Dante Gabriel Rossetti |
Ode to Joy – used in Beethoven's 9th (Choral) Symphony, and as the anthem of the European Union |
|
Friedrich Schiller |
The Lady of the Lake (1810) |
|
Sir Walter Scott |
Marmion: A Tale of Flodden Field (1808 – a historical romance in verse of 16th–century
Britain, concluding with the Battle of Flodden in 1513) |
The Primrose and the Turtle |
|
William Shakespeare |
Ode to the West Wind, Ozymandias, Queen Mab, Prometheus Unbound, The Triumph of Life (unfinished) |
|
Percy Bysshe Shelley |
The Masque of Anarchy (written in 1819 in response to the Peterloo Massacre, but only published
posthumously in 1832); has been described as "the greatest political poem ever written in English" and "perhaps the first modern
statement of the principle of nonviolent resistance"; often quoted to his audiences by Mahatma Gandhi |
Façade (1923 – set to music by William Walton) |
|
Edith Sitwell |
Not Waving but Drowning |
|
Stevie Smith |
England fast bowler, also a published poet |
|
John Snow |
The Faerie Queene (1590–6 – an allegory on Elizabeth I) |
|
Edmund Spenser |
Bengali poet, Asia's first Nobel laureate (Literature, 1913) |
|
Rabindranath Tagore |
The Idylls of the King, The Lotus Eaters, Come Into the Garden Maud, Locksley Hall, The Lady of Shalott,
In Memoriam – the last a requiem for his friend Arthur Henry Hallam |
|
Alfred, Lord Tennyson |
And Death Shall Have No Dominion, Do Not Go Gentle Into That Good Night, Fern Hill |
|
Dylan Thomas |
Deaths and Entrances (1946 – includes Fern Hill) was the first critically successful collection,
and remains the best–known, by |
Welsh nationalist poet, died 1994: wrote of the Severn Bridge, "Two lands at last connected / Across the
waters wide / And all the tolls collected / On the English side" |
|
Harri Webb |
Oh Captain! My Captain! (1865 – a lament for Abraham Lincoln); Song of Myself, I Sing the Body Electric,
I Hear America Singing |
|
Walt Whitman |
The Ballad of Reading Gaol |
|
Oscar Wilde |
The Burial of Sir John Moore at Corunna |
|
Charles Wolfe |
Lines Composed a Few Miles above Tintern Abbey (1798); I Wandered Lonely as a Cloud, My Heart Leaps Up,
Composed upon Westminster Bridge September 3 1802 (all 1807) |
|
William Wordsworth |
The Second Coming; Easter 1916; The Lake Isle of Innisfree; A Prayer for my Daughter; Leda and the Swan;
The Circus Animals' Desertion; The Tower (1928); The Winding Stair and Other Poems (1933); Last Poems and Plays (1940) |
|
W. B. Yeats |